BSLA Fieldbook BSLA 2014 Fall Fieldbook | Page 33

ASLA Honors / BSLA Changing direction at mid-career (an unconscious channeling of the senior Olmsted?) from public service to the landscape profession, I embarked on a 20year practice in residential design and a lifetime of fascinating research into the work of the Olmsted firm. Volunteering at the 1981 conference of the newly formed National Association of Olmsted Parks [NAOP] channeled my interests into the burgeoning “missionary” movement to rescue neglected Olmsted landscapes, to recapture the original intent in our public, and eventually private, historic designed landscapes. With a background in history and teaching, to uncover the myriad tales about the shapers of these places and their aspirations; about use and change over time; about what could be resuscitated and how; became a mesmerizing occupation. Developing strategies to engage contemporary stakeholders with a vision to steward and sustain rehabilitated sites and transformed passive research into an activist’s tool. This conference motivated formation of the first statewide affiliate, the Massachusetts Association of Olmsted Parks (1982), which influenced development of the Olmsted Historic Landscape Preservation Program, the nation’s first statewide initiative to rehabilitate Olmsted-designed parks in the Commonwealth. At the beginning of this work, the century of Olmsted design was untapped, a reservoir of information about shaping the American environment—large or small, urban, suburban or industrial. The creative individuals of the Olmsted firm were barely recognized, their talented endeavors long forgotten—an enticing resource for a voyeur in this emerging discipline of landscape history. John Charles Olmsted (JCO) particularly interested me, as the middle son without the legendary name, whose nationwide work was often disregarded or assigned to his father or brother. Thus began a challenging labor of love as an historian—to give JCO a persona and recognition that his design legacy deserved; to do likewise for other firm designers and to examine some of the prescient projects that the Olmsted firm produced, sharing these discoveries through lectures, publications and other endeavors. H on a r y A SL A M em b er ARLEYN A. LEVEE “ To have this b elated c areer c hoic e rec ognized by the ASL A with an Honorary memb ership is a tr uly humbling ex perienc e. I have b een immeasurably enric hed in travelling this landsc ape route by the mentoring and enduring friendships of so many generous c olleagues.” –Arley n Levee I was immediately drawn to her rigorous research standards and exemplary communication skills—not to mention her ability to “read” a landscape as text and a dynamic system where people live out their lives (in contrast to more traditional art and architectural historians of the time). I was drawn to her unique way of seeing, her infectious intelligence and, perhaps most of all,