BSLA Fieldbook BSLA 2014 Fall Fieldbook | Page 23

TOOLBOX / BSLA Designers, authors and educators Dan Tal, ASLA and Jim Leggitt, FAIA have been collaborating on design projects for the past decade, each bringing a unique set of visualization skills to create very successful design representations for numerous domestic and international projects. As a result of their combined investigations into developing new design communication techniques (and their passion to communicate those discoveries with industry peers) a new form of “Hybrid Visualization” has emerged in the design community. This has the potential of reviving traditional hand drawing skills by boldly merging them with rapidly evolving 2D and 3D digital visualization software. —Evolution of Renderings : From the Surface to the Screen hybrids? Hand drawn illustrations tend to have more life, activity and context, while photorealistic images can provide a greater overview and relative reality to a design. In the past, the choice between the two was up to the designer and team. Talking to many firms across the country, they report that clients have started to demand several things. First is the expectation of a 3D model. For clients this is important since a 3D model is much easier to understand than a plan drawing. Couple this with client preferences, hand drawn or photorealism, and many firms are begging to understand the need to provide 3D models to clients. An important consideration in this regard is access and process. Many firms now rely on 3D modeling as part of their basic workflow. This has made the creation of 3D graphics the lower hanging fruit. But that does not mean that clients or designers do not want hand drawn illustration. This combined need is where hybrid drawing methods can shine. Hybridization: The Hand/Digital Mashup It’s unrealistic to imagine neither returning to traditional hand drawn renderings, nor saturating our profession with photorealism. Hybrid visualization forms a perfect bridge between the two methodologies. By combining hand drawing directly with 3D modeling, one gets the accuracy of a computer generated form and the authentic character and craftsmanship one can only create by hand. Each hybrid drawing is a unique and individual work of art that establishes the individual drawing style of the designer and responds to the variables of time investment, project phase, and client expectations. Basic hybrid drawings can be created by simply hand tracing over a printed view of a 3D computer model onto a sheet of tracing paper. This “overlay and trace” method utilizes the digital model view only as a traceable base for what eventually becomes a 100% hand drawing. Another more complex hybrid drawing method also involves drawing over a digital model view on tracing paper, but includes scanning both the hand drawing and the model view together in a sort of double exposure or “composite scan” in which both the computer model and the hand drawing share equal dominance in the image. Boston Society of Landscape Architects Fieldbook 21