Land and Sky
GINA CRANDELL
Janet Echelman ’ s sculpture in Boston , As If It Were Already Here , floats gently above the Rose F . Kennedy Greenway with a shimmering lightness so different from the mass of the earth below . It does not touch the ground . Rather , it is parallel to the landscape , floating delicately above the commotion of people moving around below . Yet while discussing the project with Echelman , I was struck by the design affinities between her process of making sculpture and the processes of making landscape architecture — the site and historical
16 BSLA
Land and Sky
GINA CRANDELL
16
Janet Echelman’s sculpture in Boston, As If It Were
Already Here, floats gently above the Rose F. Kennedy
Greenway with a shimmering lightness so different
from the mass of the earth below. It does not touch the
ground. Rather, it is parallel to the landscape, floating
delicately above the commotion of people moving
around below. Yet while discussing the project with
Echelman, I was struck by the design affinities between
her process of making sculpture and the processes of
making landscape architecture—the site and historical
BSLA