Broadcast Beat Magazine 2018 BroadcastAsia Special Edition - Page 25

Tools like Avid MediaCentral | Cloud UX offer solid interactive performance from an HTML5-based UI that requires no client-side software installation. The entire user experience is streamed to the user from a central cloud data center. Using a smart phone, tablet, or laptop, producers and assistants can log and assemble programs over a standard internet connection. • Full creative “craft” editing can be accom- plished remotely using desktop virtualization (VDI) technologies. In this scenario, a fully featured non-linear editing tool like Media Composer | Cloud VM is installed in a virtual machine (VM) in a standard server in a cloud data center. This video editing tool can be accessed remotely over a standard internet connection, enabling editors to escape the confines of traditional edit suites, accomplish- ing their work from any location. • Hybrid scenarios offer the best of both worlds. For example, Media Composer | Cloud Remote allows editors to run fully functional NLE soft- ware on their laptop, while still accessing con- tent from central cloud data centers. By allow- ing editors to intermix content that’s stored locally on their laptop while also streaming shared content from centralized libraries in the cloud, this solution eliminates all creative barriers while enabling complete mobility. Cloud editing has some drawbacks however. Interactive latency can be sluggish depending on the internet connection. Surround sound audio isn’t WB7W'FVB'dDFV6wv&W6WFF&rg&&VFR6F2&WV&W2vЦ&GvGF6V7FfGFN( 2Bv2fЦ&RB7V6ƗVBW&W&27V626G&7W&f6W2F( Bv&vVfW"dD6V7F2'W@7&VFfRVFF&v&fw2&Rf&RFP6VBFFBFW6RFV6wƖ֗FF2v&RFG&W76VBfW"FRFRfvrF62&R&W6VFǒB2vV7VBЦVBFFR6VBgW'FW"FV6v6Gf6RЦVG2W7B67W"&Vf&RFR6VB2&VVf6f"FW6R66V&3VBVf&VG2&V6&Fr7GVF"GV 7FvRW7B&R6&VgVǒ67G'V7FVBBGVVB7V6ƗVBWVVBƖRW667G'VVG2֖7&W2B&VfW&V6RF'2&RW76VFFW&^( 2ƗGFRFW&6Rf"FW&7FfRFV70'F7G2BVvVW'2VVBFV"&W7VG2RЦFFVǒf7B&GV7Fv&fw2vW&PVG&VG2bG&62&Rr&6&VFPvFvVƗGvW2FF6WG26&V6PWG&VVǒVgf"FW6R&V62&V6&Fr@֗rF62&V( BFVǒ7VFVBFFR6VBFW"F6VVF'fR6&rB6Ц&&F6W'f6W26"w&Fr6&7G2v&6&VgVǒGVV@Vf&VG2vF7V6ƗVBWVVB7V626"6G&7W&f6W2B&VfW&V6RF'27FVFW'27V62FRF&V7F"bFw&G6ǒGFVB6"w&Fr6W762W'6FV7W&RFV"7&VFfRFVB2gVǒ&W6W'fVB6&VFR6&&F6( BW7Vǒ&WV&VBFF6WG2&RVg2v&W6WFvW2&PGvVVB&VFRfW&FR6VN( 2G&60&VVfG2&RbƗGFRW6RF6&7BFW"Ff"6VVF'v&frvVVB@fR6&rvW&Rv^( &Rvr( 26VBФ6V7FVBV677FVФWrFV6vW2B6WF2&RFVƗfW&rFR6VN( 2&֗6RBgVFVFǒ&R6p6FVB7&VFBF7G&'WFv&fw2'WBB&W6VBBf6WG2b6FVB&GV7F&RWVǒ7VFVBFFR6VBvR6RVF7&VFgV7F2&VVfBw&VFǒg&6V@FWVBFR6VBFW6( BR6V6Rf"F66ƖW2FRv&fr( 2BV7BBWBf FR&V2FB&V( B2vV7VFVBFFN( 2ǒGFW"bFR&Vf&RFV6wFG&W76W2vN( 06r7&V6VB&GvGFf&ƗGB&PFVƖvVB77FV&6FV7GW&RvFG&W727@bFR7W'&VB77VW2fW"FRWfVGVǒ6ЧFVB7&VFgV7F2v&RFVB'FR6VB&fFr7V'7FFW&F7&VFfR@f6&VVfG2&V6&FrB֗rƗfRVF&V6&Fr@֗r&WV&R7V6ƗVB&Gv&R7V6Ф'&F67B&VBvR( "wwr'&F67F&VB6( "#P