Broadcast Beat Magazine 2017 NAB Show NY/SMPTE Special Edition | Page 67

The history of SMPTE
is almost synonymous
with the history of
film and television,
and it has been a
remarkable journey
over the past century”
Will Change Content Creation
Methodologies”
by
Tom
Ohanian of TAO Associates.
Sessions on workflow systems
will include “IMF End-to-End
Workflows in Media Asset
Management Systems,” present-
ed by Julian Fernandez of Tedial,
as well as “Applying an Agile
Approach to Next-Generation
Media Management,” present-
ed by Arvato’s Ben Davenport
and Christian Siegert. Moving
into cloud-oriented workflows,
Avid’s Shailendra Mathur will
present “Media Cloud Migration
Patterns: Connecting Services
Between Bare Metal, Virtual
Machines, and Containers.”
Richard
Cartwright
of
Streampunk Media will pres-
ent his paper on “An Internet
of Things Architecture for
Cloud-Fit Professional Media
Workflow.”
Speaking within the session on
compression, RealNetworks’
Reza Rassool will present a paper
titled “VMAF Reproducibility:
Validating a Perceptual Practical
Quality Metric for 4K Video.”
Subhabrata Bhattacharya and
Adithya Prakash of Netflix will
look at quality from anoth-
er perspective, presenting
“Towards Scalable Automated
Analysis of Digital Video Assets
for Content Quality Control
Applications” within the Quality
and Monitoring of Images and
Sound session.
The SMPTE 2017 session on
UHD acquisition and processing
will feature a presentation by
YunHyoung Kim of the Korean
Broadcasting System (KBS),
whose paper describes the
world’s first implementation of
the Internet Media Subtitles and
Captions 1.0 (IMSC1) closed-
captioning system — on which
Broadcast Beat Magazine • www.broadcastbeat.com • 67