Broadcast Beat Magazine 2017 BroadcastAsia Special Edition - Page 55

high-end head-mounted displays and 3D stereo- scopic, finishing resolutions can be even higher. The challenge lies not only in having fast enough storage to support these large images, but also in meeting the storage requirements of editing and color grading VR 360°, which often differ from the demands of VFX and animation. Editing and grading require storage arrays that provide unblinking sequential playback of ordered frames on disk. Visual effects and ani- mation can require both sequential and random performance. Fibre Channel storage area networks (SANs) are favored for sequential playback of large frames and files because SANs deliver determin- istic, guaranteed bandwidth to each connected workstation. For animation work, file reads and writes are smaller, but occur randomly, and from a greater number of connected workstations. Random storage performance is most economi- cal using an IP-based network attached storage (NAS) system. The “best effort” nature of IP protocols matches well with the iterative nature of animation, which does not typically require sequential playback of large files. option is a hybrid array: a combination of SSDs and HDDs. Intelligence in the array controllers monitor the most readily used files and keep them in the flash storage portion of the array. If files are not used in a given time period, they are demoted to the more economical HDDs in the array. Bridging the Editorial Divide The efficiency gains from unified storage can be a big boost to VR 360° post. Artists are hap- pier and more productive because creative soft- ware responds faster. They can create engaging content on time and on budget. Facilities that take advantage of this creative approach can start with a small unified storage configuration and then increase performance and capacity as needed. With such a flexible, powerful storage solution, content production companies can ful- fill their viewers’ wildest visual dreams today and be prepared for the next big technology to take them even further in the future. A Unified Approach In practice, though, maintaining two different storage systems can be expensive and lead to costly duplication of large files. This is why some post facilities are turning to unified stor- age, a combination of SAN and NAS. By sup- porting both IP and Fibre Channel connections to the same shared storage infrastructure, this approach allows post facilities to avoid the time-consuming network-based transfer of files between workflow stages. It both minimizes down time and gives artists more time to create. The random performance required for anima- tion work can be further enhanced by solid state drives (SSDs), which use flash memory instead of spinning disk. Elimination of the time needed for drive heads to find file bits means that SSDs can deliver anywhere from 10 to 100 times more random performance than hard disk drives (HDDs). All-flash arrays offer exceptional performance, but they can be expensive. A more affordable Broadcast Beat Magazine • • 55