Broadcast Beat Magazine 2017 BroadcastAsia Special Edition - Page 28

lot of flexibility in approach for the back to Relic for signoff.” deep paintings we wanted to cre- us to use a ‘thick’ atmosphere of smoke, fog, and haze inside 2.5D ate, and could decide on composi- Once the rich, tactile designs compositions. tions that allowed the camera to were ready, each conveying the tell a story.” painterly style the Warhammer “We also had a lot of content to 40K franchise is known for, Axis render, which always poses a chal- Indeed, the similarity between sto- worked to give the images subtle lenge on projects of this scope,” ryboard sketches and final output motions and a delicate season- he adds. “We streamlined the can be witnessed in lead story- ing of effects, then meticulously pipeline to a point where we saved board artist Paul Coulthard’s com- planned the camera movements time by re