Bead Chat Magazine Winter 2014 | Page 63

RebeccaStarry Hey Rebecca, could you tell our readers a little more about you and how you got started with beading and jewelry? would bring out their beadwork and we often traded jewelry. After taking David Chatt’s class at the Coupeville Arts Center, I discovered the vast possibilities of beadwork using right angle weave. No stranger to larger pieces, I created “She has her Years ago, a friend of mine and me would go to beads to keep her warm” a scarf which incorporatthe local craft shows where we always admired ed both right angle weave and horizontal square the work of local bead artists. Then we began stitch. I loved the way the beadwork warmed to making and selling our own beaded jewelry in the 80’s at the local bazaars. I had always admired the touch as you wore it. the work of Virginia Blakelock and the detail she You like to work obtained in her loomed pieces. I too thought I with, should we say would like to do loom work, but on a larger scale. I even had my husband help to make a large loom “unusual” pieces for such projects. However, I quickly became in your designs. frustrated maintaining the tension on all of the Where did this idea warp threads and the thought of weaving in all of evolve from? the threads after the loom work was completed seemed daunting. I thought I might be able After attending Dato create the look of loom work with off loom vid’s class, I created a stitches. I was attempting to teach myself square couple of small sculpstitch when I developed a horizontal square stitch tural vignettes using method. It’s much like Ndebele or herringbone, the right angle weave but with an extra thread path worked right to left such as “Gone” (LEFT) that join the columns of beads and cause them which incorporated to lay flat horizontally. I discovered I could create the use of a small doll any shape or size by using this method and did house bed. not have to worry about tension or weaving in the threads when I finished. Living through the In 2002 several Alaslong Alaskan winters was made a little brighter kan bead artists inby creating colorful beadwork. I worked for many cluding myself comyears in law enforcement and found beadwork pleted a year and a provided a good balance to a stressful career. I half long Master Class with NanC Meinhardt. The also traveled to many rural Alaskan locations for completion of the class was celebrated with an my work and often took my beadwork with me. exhibit of our work. I found the local village women would open up and talk to me as they watched me bead. They creativebeadchat.com