Bead Chat Magazine Winter 2014 | Page 11

Meet The Maker Genea Crivello-Knable is an Internationally known lampwork artist living in Missouri. She likes to push the limits of her medium to create unique wearable art. do many different style round beads How long have you been running Genea from intricate dots Beads and how did you get started with to stringer work. I lampwork? did round beads for awhile and then moved into some of what I call the “cutesy” style of I have been “officially” running Genea Beads creating things like holiday themed beads since January 3rd of 2002, but really conlike bunnies for Easter and ghosts for Hallowsider it up and running since 2004 since I didn’t start selling my beads right away. I got een etc. My next thing after those styles was started lampworking when I worked at a local more free form things like: hearts, my signabead store. My boss was taking a class in ture “Wing Dings”, my “Vortex Flowers”, Beadlampwork bead making. I was pretty sav- inside-a-bead-hollows and glass headpins. My next and most recent love has been stone vy with jewelry techniques so it seemed textured distressed beads. My style has gotlike the next logical step. I mean who doesn’t want to make their OWN beads?! ten way more organic since my earlier years. I think I really enjoy the freedom of an organic style since there are “no rules”. Being a recovLampwork looks really difficult and ering perfectionist I am trying my best to get slightly scary, but very intricate too! away from rules, and fitting myself inside a How has your work evolved over the box. years, how long did it take you to masI can’t say that I have really mastered my style ter your trademark style and what inquite yet. I learn something new everytime I spires it? sit down at the torch. You become an official “glass master” when you have about 20-25 What a great question! My work has really tak- years under your belt(I still have about 9-14 en a tour through many different styles com- years to go;) I guess if you take the quespared to where I am now. I started out with tion more like mastering some of my styles I Corina Tettinger’s book “Passing the Flame” would say really within the last few years do it is the “lampwork bible” and EVERY lampI feel like I have a definite style. I like to conworker should own it. I learned SO much from tinually evolve because I get bored. I really that book! So with her book I learned how to creativebeadchat.com