Asia-Pacific Broadcasting (APB) October 2017 Volume 34, Issue 8 | Page 34

34 X-PLATFORM
October 2017

Predicting the future of broadcast through sports

BY OLIVIER SUARD
The broadcast industry is in a state of rapid change . If broadcasters want to keep up , they must focus on adapting both their operations and offerings , and this extends to their value chain . However , this is not so easy to carry out — quite the opposite in fact . It can be hard
to know what direction to turn to in an industry that is always undergoing such profound changes .
In an environment where the competition for viewers is intense , live sports is considered a sure bet , something that is compelling and for which the high resolution of TV screens is eminently better suited than other devices .
At the high end , for example , the English Premier League football or the Summer and Winter Games , huge sums of money are invested by broadcasters to make the viewing more captivating . That includes seeking out new technologies such as HD and 4K / Ultra HD ( UHD ) to hook viewers . Sure , mistakes happen ( remember 3D ?), but sports broadcasting provides the catalyst for trying out new technologies that eventually benefits all parts of broadcasting .
A good example of this is the use of IP in production , which is essential in keeping costs down
for big events by enabling remote production .
The costs involved in high-end sports mean it has been possible for broadcasters to try out and invest in new technologies , which has benefited more mainstream production — effectively leading the way for other productions , for example , minority sports .
However , something may be afoot with sports broadcasting . Its success comes from exclusivity and the ability to monetise this . Traditionally , the value chain has involved content owners selling the exclusive rights for coverage of the sport to the highest-bidding broadcaster , who in turn charges viewers to watch the sport .
This has typically proved to be lucrative business for both content owners and broadcasters , but we might be about to witness a major disruption in this arrangement .
In recent months , we have seen some interesting developments ,
including cricket returning to the BBC in 2020 , the first time since 1999 . The driver for the move is that audiences for cricket have been falling as a result of being on pay-TV .
This is quite a familiar pattern : when Formula 1 switched to payper-view , reports estimate it lost 25 million viewers . If people do not want to pay for content , they will either stop watching altogether or turn to pirated streaming . By making that content free again will not only increase viewer numbers , but drive long-term interest in the content itself .
Another interesting development is Formula 1 ’ s intention to develop its own over-the-top ( OTT ) platform , which would , in effect , by-pass the broadcasters .
So if sports is to return to freeto-air and sports federation are to launch their own distribution , the traditional broadcast business model could become disrupted ,
and with it the ability of sports broadcasting to always be at the leading edge of technical innovation .
It could also be a lead indicator that the pay-TV revenue models of broadcasters may need to be rethought at some point .
Olivier Suard is VP Marketing , Nevion .

Opera TV is now Vewd

Opera TV , an enabler of over-the-top ( OTT ) services , has been rebranded as Vewd , as the company aims to better illustrate its mission to enable entertainment everywhere through “ extraordinary OTT products and services ”.
Since its early beginnings more than 15 years ago at Opera Software , Vewd sets its course to pioneer industry-first products for smart TVs , set-top boxes and content providers . The company delivered the browser engine in the Nintendo Wii , and also enabled the “ world ’ s first ” smart TV , launched by Philips .
According to the company , Vewd Core , formerly known as the Opera TV software development kit ( SDK ), has become the most deployed HTML5 SDK in the industry . Shipping on nearly 50 million devices each year and more than 200 million devices in total , Vewd is the world ’ s largest connected TV device ecosystem , the company added .
Aneesh Rajaram , CEO of Vewd , declared at IBC2017 : “ Today is a milestone for Vewd as we step out with our own brand that expresses our primary goal : enabling content to be viewed everywhere . Our new visual identity highlights the universal elements of our industry — a play button , a screen and the fragmented content landscape .
“ While today is day one for Vewd , we build on our legacy as long-time leaders in OTT and remain committed not only to strengthening that position , but pushing ourselves and our industry forward even faster .”
Vewd ’ s new visual identity highlights the industry ’ s universal elements — a play button , a screen and the fragmented content landscape .
One of Vewd ’ s first moves was to announce a partnership with Wiztivi , a provider of multi-screen user interfaces ( UIs ) for operators and media groups . As part of the partnership , Wiztivi has optimised its UI framework for the Vewd SDK , allowing Wiztivi ’ s Timeless UI to perform across tens of millions of Vewd-powered devices .
Vewd has also certified Wiztivi ’ s UI framework , so that pay-TV operators can trust that apps and middleware UIs using Wiztivi ’ s UI framework will have optimised memory handling and “ crisp animations ”, thus enabling an immersive viewing experience .