Asia-Pacific Broadcasting (APB) November 2017 Volume 34, Issue 9 | Page 12

12 NEWS & VIEWS November 2017 Embracing new technologies to enhance storytelling capabilities To enhance storytelling capabilities while embracing emerging tech- nologies, Discover y Networks Asia-Pacific (DNAP), a division of Discovery Communications, has established a strategic alliance with Singapore’s Info-communications Media Development Authority (IMDA). The year-long partner- ship between DNAP and IMDA is designed to upskill and co-create content using advanced tech- niques and technologies, includ- ing 4K/Ultra HD (UHD) and virtual reality (VR). Driven by Discovery Networks International (DNI) and DNAP, the US$5-million partnership is aimed at nurturing new and upcoming producers, as well as give Singa- pore’s producers the opportunity to showcase their expertise to a global audience. Bryan Seah, head of original content, South-east Asia, DNAP, told APB: “Discovery has had a long history of bringing together emerg- ing technologies with quality story- telling, and Discovery VR continues that rich tradition. Although much of the focus at the moment is on VR hardware and one-off experiences on VR, we are excited to go a step further by creating VR films with strong narratives and storylines that bring viewers into unexplored, unexpected worlds.” Earlier in June this year, DNAP conducted a series of workshops, which shed light on the latest technologies and insights into VR and storytelling. The workshops, according to DNAP, concluded with a number of pitches from Singa- pore production companies, where four shortlisted films will premiere Virtual reality (VR) and Facebook Watch are some of the new technologies and delivery platforms that Discovery Communications has embraced to deliver compelling content to a global audience across all platforms. APB prompts Bryan Seah, head of original content, Southeast-Asia, Discovery Networks Asia-Pacific, and Fred Graver, senior vice-president, digital and social content, Discovery Communications, for more insights about their latest projects. ❝ Although much of the focus at the moment is on VR hardware and one-off experiences on VR, we are excited to go a step further by creating VR films with strong narratives and storylines that bring viewers into unexplored, unexpected worlds. ❞ — Bryan Seah, Head of Original Content, South-east Asia, Discovery Networks Asia-Pacific ❝ Creating shows for Watch allows us to connect with Facebook’s wide audience, proving once again the value of our brands and content across a variety of platforms. ❞ — Fred Graver, Senior Vice-President, Digital and Social Content, Discovery Communications on the Discovery VR application globally. While the formats — long- or short-form — have yet to be determined based on the four shortlisted films, DNAP is planning to share the films later this year. Seah continued: “Currently, we White Paper @ www.apb-news.com Protecting premium sports rights in an era of rampant piracy v The decline in pay-TV subscriptions in many parts of the world has led to the emergence of massive online au- diences for live sports events. While this is creating new revenue streams and direct customer relationships for sports rights holders, traditional broadcast and new over-the-top (OTT) revenues are increasingly threatened by surging consumer reli- ance on illegal sources of streamed content. This is fuelling an urgent need for new tools and services that can be used by rights holders and distributors to fight piracy on a global scale. In the first of a three-part white paper series, Nagra analyses the threat piracy poses to rights holders who rely on revenue from live streaming of sports events. are delivering a robust program- ming line-up of more than 140 experiences, with new content added regularly across platforms. We have seen strong responses from our audiences, as well as advertisers. Globally, there has been four million downloads of our Discovery VR apps, and over 141 million views to date.” In August, social media plat- form Facebook launched Watch, a new video platform for shows to be streamed on Facebook. Available on Facebook’s apps, desktop site and on TV apps, Facebook Watch consists of shows that are made up of episodes — live or recorded — and follow a theme or storyline. Following the establishment of Facebook Watch, Discovery Communications has also an- nounced its support for the new video streaming platform by de- veloping mid-form shows for the Facebook community. In addition, the broadcaster will produce shows both inspired by iconic Discovery Communications’ propertie