Asia-Pacific Broadcasting (APB) August 2018 Volume 35, Issue 7 | Page 13

August 2018 whoBuyswhat n TV Tokyo upgrades studio with Calrec console Japanese network TV Tokyo has purchased an 80-fader Apollo console from Calrec. Provided by Calrec’s exclusive distributor, Hibino Intersound, as part of a major upgrade of TV Tokyo’s flagship Tennozu studio, the Apollo has been a “significant improvement” over the broadcaster’s legacy ana- logue desk. As TV Tokyo moved the Tennozu studio’s audio mixing into the digital world, the challenge was to source a desk that could match its old console in sound quality, revealed Yosuke Maruyama of Hibino Corporation. “The Apollo more than exceeds TV Tokyo’s expectations for pristine sound, and its im- pressive feature set is also a huge improvement,” he continued. “The new desk brings industry standard reliability, ease-of-use and unmatched power to Tennozu, with the ability to squeeze in more faders than any comparable consoles on the market.” The Apollo joins other Calrec desks in the broader TV Tokyo operation, including another 80-fader Apollo, a 48-fader Artemis Light that is installed in the broadcaster’s outside broadcast vehicle, a 56-fader Artemis Beam, and a 48-fader Artemis Beam. Anthony Harrison, international sales manager, Calrec, concluded: “[TV Tokyo] is a big supporter of our products, as evidenced by its Calrec line-up. The addition of the Apollo console has modernised the Tennozu facility by offering unsurpassed processing power. ”We’re excited to continue our relationship as TV Tokyo goes from analogue to digital.” CREATION 13 Ross Video enhances control for virtual solutions Ross Video is releasing UX cording to Ross Video, is 4.0, the company’s latest gen- “extremely powerful” as it eration of control interface does not require any pre- that improves the toolset for vious experience in code “dynamically and intuitively” writing while offering an controlling virtual productions. extensive toolset to ac- UX Xperience is a control commodate even the most centre application that is said intricate behaviour. to be “highly flexible and The UX Unreal plugin customisable”, with an easy- allows users to feed data to-use intuitive touchscreen from UX directly into the graphical user interface. The blueprint layer of the Un- application provides integra- real4 engine. UX can feed tion with tracking systems, data as strings, integers, keying products and real-time floats, vectors, drive ani- 3D rendering engines such as mations and meshes. Ross Video’s XPression and Ross Video is releasing UX 4.0, the company’s latest generation of control Other standard fea- Frontier. tures of UX include the interface that improves the toolset for “dynamically and intuitively” Gideon Ferber, director of controlling virtual productions. ability to combine complex marketing, product manage- virtual moves and camera components — UX Track, UX Server, ment, Ross Virtual Solutions, explained: moves into one-button events that can workflow capabilities, and tracking and “UX 4.0 is building on the success of be triggered by Ross Video production mounts. UX 4.0 also introduces two major previous UX versions. We’ve added tools switchers or OverDrive Studio Production features: Visual Logic and Unreal4 Plugin. to make the production smarter and Control with UX Events. UX’s visual logic is a new quadrant more dynanic while keeping operation Users can also configure project files that allows users to create complex and as straightforward and user-friendly as and network settings with UX Config; sophisticated behaviours by dragging possible.” move, rotate and create tween anima- and dropping parameters on a canvas UX 4.