ArtView September 2015 | Page 15

Kriv Stenders with Simon Pegg on the set of Kill Me Three Times Well, I got offered a lot of dog movies after Red Dog, and I didn't want to necessarily repeat myself. I've always been a believer that you're only as good as your last film and you can't really rest on your laurels. It's very important to me that I reinvent myself with every film I make. This was such a perfect chance to go really diagonally opposite to what Red Dog was. I loved the script and I loved the project, I loved the people involved - all the actors were already attached, so it was kind of like a perfect offer in a way. I'd been working on a couple of projects which were languishing in development hell, and when this came across my table it was just the perfect sort of escape clause. I guess you could say that people like Tarantino, the Coen brothers, they've almost created a new genre where comedy and realistic violence are intermingled, and you've done that well with Kill Me Three Times. How did you go about getting that balance right between the comedy and the violence, and making that work? A lot of it was firstly recognising from the very beginning that the film was a comedy... When I read it I loved, I called the producer Larry back up and said: it could be that I just found this perversely funny... and I thought the way the body count stacked up at the end was pure opera. Larry completely agreed, he said yes you're totally right, this is very much a black comedy thriller. Once I knew I was on the same page with the producers it was really a matter of going OK, let's really go for it, let's really push it where we can to heighten the comedy. Part of that was about restaging some of the set pieces, and adding more of that absurd gallows humour into it, but primarily it was about casting, and casting the role of the hitman. My theory is that comic actors make great villains, because they're playing against type and the audience's expectations. I really felt strongly that we couldn't cast a straight actor for the hitman, or we'd just be making another generic thriller. My suggestion was, look I think we've got to go for a really wellknown comic actor, who hasn't really played this role before. The producers agreed, and eventually we