ArtView March 2015 | Page 30

With Australian troops on the Solomon Islands Did you feel a lot of pressure when you sang the national anthem at the Mundine/Geale fight? To be given the opportunity to perform the national anthem for the Mundine/Geale fight in front of an audience of more than 10,000 people at the Sydney Entertainment Centre was an honour – but it was also a little daunting, and somewhat scary walking out into the ring for the first time. It made me feel very proud to be an Australian. It was one of the biggest highlights of my career... I like to think when I am singing a song like the national anthem that I make it my own rendition, and perform it from the heart. What was it like to perform at the Tamworth Country Music festival this year? Tamworth is always an amazing time of the year and it’s the best way to start the new year, playing for country music fans. I had a great show this year with my band at the West Tamworth Leagues Club where we played songs from my forthcoming album Silver Lining. It was an amazing few days in Tamworth and I am already excited for next year’s festival. What are the most important things you learned about songwriting during your songwriter tour in Nashville? I would say one of the most important things that I have learnt about songwriting on my tour in Nashville is that there is no particular way of writing a song and no particular method is right or wrong. You can write a song in so many different ways. It all depends on what works for the writer, or the situation you are in at that time writing that song. Who are some of the artists you worked with as a songwriter? Some of the amazing songwriters I have worked with – Phil Barton, who is Australian-born and moved to Nashville to pursue his songwriting career, his highlight being A Woman Like You which was cut by Nashville's Lee Brice. Michael Davey,