ArtView February 2016 | Page 34

influenced by your native landscape. I like westerns, spaghetti westerns in particular and the sort of imagery of a lone protagonist in a sparse landscape has always appealed to me. You have said of your art that "these images have dogged me all my life". Is there any sense in which your artwork is personally therapeutic or cathartic for you? Well, I'd say the characters in some of my more recent stuff represent some aspects of myself, slightly melancholy and apart. Once they're on paper they become real to me in much the same way a novelist's characters become real to the author. Untitled (2014) ink on paper Much of you work is untitled, and you are reluctant to analyse its meaning. What are the advantages of remaining ambiguous? Being a bit of an old fuddy duddy, I've never had much truck with a lot of conceptual art, and it's always seemed to me that the bulk of thought or work that goes into certain contemporary art is in the title, which automatically forces the viewer to look at the work in a certain way, which I guess is the idea. I like to keep the work untitled and let the viewer imbue the work with their own subjective interpretation. Often two people will look at the same piece and one will see a sad faced man, whilst someone else will see the same image as a happy woman or whatever. At the end of the day it's a visual medium and text should not be a necessary accompaniment. Untitled (2012) ink on paper Music is another avenue of creative expression for you. Do the various creative forms you pursue - art, acting, music express different aspects of your personality? I think all creative endeavours come from the same place but require different mediums to be expressed properly. There's a shamanic element to being an artist and this is particularly true of music. In what ways has your art changed or developed over the course of your career? My stuff used to be a lot darker, more vulgar and violent. I guess the work changes as you do as a person, but being a contrarian if people say they Untitled (2014) ink on paper