ArtView February 2016 | Page 11

the inky smell of fresh newsprint. I had recently enjoyed reading You and Me: Confessions of a Comma Queen, a memoir by Mary Norris, a long-time copy editor at The New Yorker magazine, whom I’d met at a Sydney bookshop. The carefully pencilled comma made me smile and think of Mary. Redundant drawers, with or without their type, often turn up these days in antique and junk shops. This one had a modest simplicity that spoke of its former owner’s precise nature, and though I had no use for a lone drawer I couldn’t put it down. Perhaps I could keep jewellery in it, I rationalised. In the end I bought it for $25 and paid a dollar for a souvenir teaspoon decorated with koalas and the word ‘Australia’. Back at my holiday house, I had the urge to fill the compartments. While I love the idea of empty spaces in decorating and design, they never last long in my life. Three of my feathers fitted perfectly into the 5cm by 3cm slots. Late that afternoon I joined the last of the surfers and dog walkers on the beach and walked the two-kilometre stretch of sand with my head down. I’ve always collected shells but now I was looking only for tiny ones. Suddenly the tangle of seaweed along the tideline turned into a treasure trove. I picked up a dozen kinds of shell, clusters of pink barnacles, cuttlefish bones, sea urchin spines, lumps of coral and pumice, smooth sticks of driftwood, fine ferny weeds and strands of green baubles, a bluebottle without stingers. Further up the beach, near the dunes, were knobbly seedpods and leaves from banksias and other trees. How wonderful to be reminded of the vast variety of life in our ocean. Although I have snorkelled on the Great Barrier Reef and around the world, I hadn’t given much thought to what (except sharks) might lie beneath my feet when I swam at home. As I filled my hands and stuffed my pockets, I wondered if I should be removing anything from the beach at all. But I did not take