Arts & International Affairs: Volume 2, Number 2 | Page 167

Art and the Global J. P. Singh J.P. Singh is Chair and Professor of Culture and Political Economy, and Director of the Institute for International Cultural Relations at the University of Edinburgh. Singh has published widely. His latest book is: Sweet Talk: Paternalism and Collective Action in North-South Trade Negotiations (Stanford, 2017). His book Globalized Arts: The Entertainment Economy and Cultural Identity (Columbia, 2011) won the American Political Science Association’s award for best book in information technology and politics in 2012. His current book project is Development 2.0: How Technologies Can Foster Inclusivity in the Developing World (Oxford, forthcoming). He has advised international organizations such as UNESCO, the World Bank, and the World Trade Organization. He has also played a leadership role in several professional organizations. He is founding Editor of the journal Arts and International Affairs. Previously he was Editor of Review of Policy Research, the journal specializing in the politics and policy of science and technology. Does art speak a universal language? The longing for a secular universality— an ethical idea or a covenant shared across the world—has informed many of humanity’s aspirations since the modern era. The Declaration of the Rights of Man from France in ���� and the rise of global histories since the early nineteenth century attest to these modern European ideals. In the present, art continues to inform our humanity, the normative condition of being ourselves. � Art has fostered intercultural exchanges and dialogues across divided communities; literally, monumental art has brought the world together in instances such as the World Heritage Program; and art has evoked awe from our contemporaries as they beheld before them prehistoric cave drawings. Every part of the world can feature a song, a story, or a picture on the wall. In the interactive spaces of the Internet, signals from hundreds of satellites, and images from millions of television screens, the same songs and stories can be heard or seen the world over. Art, one might say, has always spoken a universal language. Universality, though, is bigger than common experiences: it unites us as human beings toward a common endeavor or an aspiration. The ���� Universal Declaration of Human Rights—and the parallel evolving notions of global citizenship—come to mind. The ubiquity of art in the world � Art here refers to fine and performing arts, creative industries such as film and music, and cultural tourism that includes heritage industries. 166 doi: ��.�����/aia.�.�.��