Arts & International Affairs: Volume 2, Issue 1 | Page 97

This constantly increasing cultural exchange and communication has strongly influenced the character and position of national cultures. Their role in globalization processes has been largely discussed during the past about �� years. The particular positions of specific cultures have been reflected in their involvement “in the movement of specified objects, systems of meaning and people across national/regional borders and continents” (Anheier and Raj Isar ����:�). Specific cultures participate in globalization processes in different ways; they either passively accept various globalization trends or invest efforts to actively adapt and involve themselves in such processes. In this way they initiate cultural transitions that enable their participation in cultural globalization trends. Such participation is reflected in the constantly growing cultural exchange and communication, which results in the change of the structures, social positions and creative potentials of the national, mostly European, cultures. These national cultures display relatively basic structures. They originated within the developing nation states in the ��th, ��th, and ��th centuries. The cultural identification processes typical of national cultures were based on the integration of various pre-national cultures, cultural values, and cultural practices, and strongly linked to the newly established national language and artistic practices. Today these processes have become increasingly dependent on local cultures and their specificities, on the (re)interpretation of cultural heritage, and on local cultural products and cultural industries (Potts ����). They have been encouraged to adapt to global communication processes and to cultural exchange through global markets. In order to be globally exchangeable, they need to observe certain production and technological standards so as to participate in less territorialized cultural production, innovation, and creativity. While the increased economic exchange of cultural values and goods again involves a certain standardization of production processes and products, the state of cultural globalism that prompts local responses tends to support individualized and de-standardized innovative cultural products and to increase their variety and variability. The ensuing cultural dynamics support innovation and generate the need to reinterpret cultural originality and original cultural artifacts and values, leading to the development of new, a-national cultures. Cultures everywhere have always been diverse and increasingly diversified through mutual contacts. However, for a certain period of time, national cultures displayed relatively harmonized structures with an established and observed hierarchy of values and types of sectorial cultural products which 96