Arts & International Affairs: Volume 2, Issue 1 | Page 80

Author’s Acknowledgements: I wish to thank the Cultural Institute at King’s College London for supporting Autopoiesis project. Thanks also to Kerry McAuliffe and Oana Mihut for their valuable help with the project, and to Tzara Talissa Makdessi, Ossman Saeb Salam, and Shan Huang for assistance with outreach activities. References Al Falasi, Hamad. (����) Desert Bejewelled. (Accessed September ����). Al Naiar, Istabraq. (����) UAE Autopsy. (Accessed September ����). Ajana, Btihaj. (����) Branding, Legitimation and the Power of Museums: The Case of the Louvre Abu Dhabi. Museum and Society �� (�): ���–���. Autopoiesis. (����) Autopoiesis Art Project. (Accessed � January ����). Barabasi, Albert-László, and Réka Albert. (����) Emergence of Scaling in Random Networks. Science ��� (����): ���–���. Batty, David. (����) The Rise of the Gulf Art Scene. (Accessed � November ����). Batty, David. (����) Conditions for Abu Dhabi’s migrant workers ‘shame the west’. (Accessed January ����). Blake, Sean. (����) The Untitled Chair Project. (Accessed September ����). Bourdieu, Pierre. (���� [����]) The Field of Cultural Production: Essays on Art and Literature. (Accessed �� October ����). Cabiddu, Francesca, et al. (����) Social Media Affordances: Enabling Customer Engagement. Annals of Tourism Research ��: ���–���. 79