Arts & International Affairs: Vol. 3, No. 2, Summer/Autumn 2018 | Page 10

INTRODUCTION: INTERNATIONAL RELATIONS ARE ACOUSTIC. LET’S LISTEN! ________ (ed.). (2015) Music and International History in the Twentieth Century, New York, NY and Oxford: Berghahn Books. Hammerskjöld, Dag. (2005) To Speak for the World. Speeches and Statements. Stockholm: Atlantis. Hast, Susannah. (2017) Sounds of War. Aesthetics, Emotions and Chechenya. Bristol: E- International Relations Publishing. Hills, David. (2012) Metaphor. In The Stanford Encyclopedia of Philosophy, Winter Edition, ed. Edward N. Zalta. (Accessed 10 October 2018). Jardin, Etienne. (2016) Music and War in Europe from the French Revolution to WWI. Turnhout: Brepols Publishers. Lévi-Strauss, Claude. (2009) Le cru et le cuit. Mythologiques 1, Paris, Plon. Marks, Michael P. (2011) Metaphors in International Relations Theory. New York, NY: Palgrave Macmillan, O’Connell, John M. and Salwa El-Shawan Castelo-Branco (eds.). (2010) Music and Conflict. Urbana, IL, Chicago, IL and Springfield, IL: The University of Illinois Press. Ramel, Frédéric and Cécile Prévost-Thomas (eds.). (2018) Music, International Relations and Diplomacy: Sounds and Voices in the International Stage. New York, NY: Palgrave Macmillan. UNESCO. (2017) The Importance of Sound in Today’s World: Promoting Best Practices. 39 C/49. 25 September. (Accessed 10 October 2018). Walt, Stephen. (2011) Liberals Are Musicians, Realists Are Jocks. (Accessed 10 October 2018). 7