Artist's Blok Magazine issue 4 | Page 10

Image courtesy of artist Christopher Jude Ranes Image courtesy of artist Christopher Jude Ranes Guns and Ammo - oil on 12x16 panel I’ve got a super long way to go but I’m definitely looking forward to the journey. Also, I’ve painted a lot of skulls. It’s more of a figuring out the shapes that are beneath the skin than it is just painting skulls because I think skulls are cool. Don’t get me wrong, I do think they’re cool, but painting so many of them is actually serving a greater goal. How do you come up with an idea for a new piece? Hmmm. You know, I don’t really have an answer for this. I’d love to tell you a drawn out story of magic and wonder but the fact is, it just kinda happens because I pick up little sources of inspiration and have them all over the studio. 10 Artist’s Blok Magazine www.artistsblok.com How do you typically start a new piece of art? Well, the way I’ve been doing it recently is: I take my reference photo into a photo editing program and flip it horizontally. Next I do a simple line drawing to scale on a piece of paper. Once the drawing is correct I’ll lay it face down on the canvas or panel and make the transfer. After it’s all transferred and ready I do Hercules - oil on 13x16 panel a basic color block-in and then glaze from there. I hope that made sense. You are self-taught, do you feel like this has a given you a disadvantage as compared with classically trained artists? Yes, Definitely. To me that’s basically like asking is getting an education better than not getting an education. Training will always help, always. Now, that’s not to say it can’t be done without training, because it very much can be, but yeah, I’d say those who are classically trained absolutely have an advantage over those of us who are not. www.artistsblok.com 11 Artist’s Blok Magazine