ARTiculAction Art Review - Special Issuue Aug. 2016 | Page 94

ICUL CTION
C o n t e m p o r a r y

A r t

Lillian Abel

R e v i e w

Special Issue

the way you relate yourself to art
making and to the aesthetic problem in
general?

The varied training I’ve had in painting
and sculpture has provided the freedom
to become an Artist who can move
wherever the work takes me and not be
tied to any one medium. I cherish those
days of exploring, experimenting and

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learning skills. All the training I’ve had as
a student in different schools had given
me the ability to also move as an artist
to different ways of making the work. My
interest has always been what we don’t
know, rather than what we do know. The
order, synchrony, ending and beginning
of the Cosmos, always a part of my
Psyche, now, more than in the past,
informs the present work. Putting into