ARTiculAction Art Review - Special Issuue Aug. 2016 | Page 189

Suzanne Smith ICUL CTION C o n t e m p o r a r y A r t R e v i e w Special Issue They're both very much about the boundary between appropriateness and inappropriateness that runs throughout my work. much on symbolic strategies and has to probe psychological, narrative elements within the medium instead". What is your opinion about it? And in particular how do you conceive the narrative that pervades your works? Unconditional draws a lot from universal imagery: when playing with the evokative power of reminders to iconic people you establish direct relations with the viewers that goes beyond any conventional symbolism: German multidisciplinary artist Thomas Demand once stated that "nowadays art can no longer rely so I suppose although it can be related to art history and conventional symbolism (for example someone pointed out My Bottom Feels Funny was a direct reference to the nude in art history) my work is more about feelings, fleeting intensities. Art's function has changed very much with literacy, photography, 23