Studio shot of two untitled works in progress, maps, acrylic, and ink
Veil, stained maps
of reality, Martinez calls attention to the actual lives at
stake in our defense of imagined borders.
The maps cut to resemble chain-link fences and nets
implicate the structures built to enforce these borders.
Martinez speaks on his interest in the metaphorical
materiality: “structurally [nets] are similar to fences…
the connotations of catching, fishing, swarms of school
fish. The vocabulary used in the media to describe immigrants is very intentional. A surge, a wave, an avalanche… and so on. All these descriptive words void
the conversation of any humanity and further the people’s fear of the other.”
Perhaps by dissecting the mediums and metaphors
through which we perceive our physical relationship
with reality, like Martinez, we can begin to better
understand how our identities are informed by these
representations.
You can see maore at:
FidencioMartinez.com
Orlando’s Art Scene, v. 1.4
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