Artborne Magazine May 2017 | Page 32

The rider’s fans must be able to recognize their champion quickly and easily so that they can cheer the rider on to victory or agonize with the rider in defeat. Minino’s trademarks are evident and no less commanding in this new format. While the gas tank has been swapped for tubes, the characteristic earth tones of golds, cop- pers, and greens are all present and just as impactful. His creative pinstriping highlights images of foliage, complete with mushrooms and marijuana leaves, and patterns suggestive of small stones at the bottom of a riverbed. Minino’s effortless ability to adapt his work to different surfaces reinforces his perspective that, whether gas tanks, helmets, or bicycle frames, in his mind they are all “just another canvas.” Knights are a romantic icon of a past age. He- roes no longer ride on horseback through a cinematically-perfect countryside to defend the helpless or to defeat mythical dragons. All that remains are the fantastic tales of their ad- ventures and the armor they wore defending land and liberty. Richard Minino’s artwork ensures that, not only the legends, but the very souls of heroes past live on in the herald- ry of modern motorcycle culture as today’s bikers carry their colors and their crests into the future. You can see more at: TheVNM.com Iron Society, Sharpie panel with airbrush on off white base - complete bike 31 www. ARTBORNEMAGAZINE.com