Artborne Magazine December 2016 - Page 26

Gary Bolding by Stephanie D’Ercole Back in February, I was organizing papers at Gary Bolding’s home studio when I came across a typewritten resumé of his as old as I am. The first page of the yellowed papers, still neatly clipped together, included the addresses and telephone numbers of just three people: Philip Pearlstein, William T. Williams, and Allan D’Arcangelo. The list of names reads more like an upcoming group retrospective at MoMA than a graduate’s references. I knew Pearlstein had been one of Bolding’s professors, but to discover these heavy-hitters of the art world on an unassuming document really reminded me that, regarding my educational lineage, I’m from good stock. As a former student of Bolding’s, B27W'&VBFV@767FB66FW"ח6Vbf&ǒ66RFFVvfVVV6ƖRRb2( ЧV&V֗GFvǒV&rWrFw2&WB0VFf&W27B&V6VFǒBFR66PF6fWrVW7F2FB6RF֖@vV66FW&rFRv2גvVFvR`2'F7F26&VW"ࠦ6VVB7GVFVBVFגFW"FVVvRV'0vV&V6RFW&W7FVBFw2FW"F66v&6VvRv2FWGFF666W"G&gFrg&R"FFRWBVBwVF"Bw&FR6w2'WBv2FW'&&ǒ6Vb666W2&WBW&f&֖rV&Ɩ2ऒ6FVVBFB2&'vVv0V"6VvRFFr6W'6PF涖rFB֖vB2vVvWB6FV֖07&VFBf"6WFrFBv2FrvfVBFFR'&vFFRVV&VB'&v6PbWF&VVB7GV&&&WFFF7B'WBv2vVBFV&'BFVw&VRא&VrfW"6VW7FW'2gFW"7rאvVV2f"fWrV'2fVBFWr&6GvFגgWGW&RvfRR7GVFVBBFP'B7GVFVG>( VwVRFRWr&6FVאb'BB'&ǖ6VvRBW'6V@ח6VbFR6G( 2vW&W2BW6WV2ࠥ7FWSv'Cv'F( B&VV&W"BG&vr&V0bGrW"BV2BV62g&אfFW.( 2n6RvW&Rv2BגF76fVBr'BW6rvF7V@FRࠥRfRVFVBVWBFR&VFW20W"'7BG&GV7FF'BFRV&Ff7VBW66W2VWBFR&VFW2v2FR'7BWW&V6Pb'BFB&VV&W"B&&&ǒ2FFvFFRv&fr&VVFRVFVЧFB6&RFVǒ&W&GV6VBvFWB&V6֖rR6Fw2bFV6VfW2ƖRFPFW2bFw2&2ƖR6Rא6bVWBFR&VFW2v2W7B2vB0FBbBvw&WrW7&72g&FRWBऒv2v2FW&W7FVBr'B'WBF0v2FffW&VBF2v2&Vr7vWBWFP7&VFfRv&b6VRV6RࠤWfW"FVvBbח6Vb'F7V&ǒ2( 'BN( WfW"F'B672W6WBf RFR6WfVFw&FRv2FW&W7FVBG2b7GVfc&VFrW62'&F6f6BV26V’66V6RB7'G2v2667FVFǒG&vF7BB`7&VFfRW'7VBW&^&V7FwVW727@F&Bw&FW'2F( B&VrFV"&VG2f"6WG2`G2BFV6&W&GV7F2bfvvFw2g&FRV76VF'WB@FRFRFF( BFBv2&&ג&VG2vW&RFVƖvVB&7F6VPvBƗfVBF&VvFRw&VBFW&W76ऒv2&6VBF&RF7F"wW""VvVW"&Vr&fW76'F7Bb@v2WfW"66FW&FB&VVWР#P6v'CƖfR6VFW&VB&VB7&VFfP&7F6Rv2VƖrFRvF@FrV6Rv2B2FB6RࠥvBv2FR&r&WGvVVW"&W&W6VFFFw2BW"'7G&7@W3FBR'&Vvg&&W&W6VFFFrFF'7G&7G2f"6W'F&V6FR6vRv2B7G&FVv2"FVV7GV@fVBƖRBVVBBFR6VV""V7V"WfVgFW"6VBFV&R6Vb'G&BBv22b7vF6B&VVF&vv0FRvFFBBbFrFR&7F6PbFW67&&rג7V&V7G2֖WFRFWF( @6WFrFBB6R6VvvVB^( Fp6VVVBBǒF'GW&W2B6VVVB&VF7F&Rv2&VGFG'6WFrFF( @rrFFv2&VGf"WrWW&V6RFFǒVVvrVp6RbFRFV66&6W2FBW6V@FR'7G&7BFw2FRFRWr&vR&W&W6VFFf6VƖ7&w2Fw2vW&RFR'7G&7Bv&2&Wf6FF`V&ƖW"'F7F26V6&ƗG7F'FVBW&FrגV&ǒ#22'7G&7B67VF"BFW"FV&V6RwW&FfRFW"2gFW"7GVGrwW&PG&vrf"6WfW&V'2FW7FRF26vP&VFFגFW&W7B'F7G2ƖR7Gv&ǒB&6&BW6WGFRF'BWfW F֖6VBvV&WGW&VBF'7G&7F7G'VvvVBvFFR&&VbrF7G'V7GW&PFrFB2vR'WBfVBFP7BbFrG6Vbf7W6rFR66&W'FW2bFRBBFffW&VBv2`VFrBvfRRw&VBV7W&RFR6VRW'6VbW'7Vr6WFp&WBf6VƖ7&w2"&RRFVBF2&V7BFF&W@vB^( BƖRFW'7VR7Bf6VƖF( B6VRVBFFRf6VƖ7&w0&V7BBV'2F&RWW7F&RW2@w2RFF6FffW&VBFw2VFW G2W76W2FBF( B6VRB&V6֖rFW2FfRRf6VƖ7&w0&V7BFRVƖRf"#bFr'F7N( 2&&V7BffrFǒ&VFw2`FRWB&W"&&ƶRF22&fVF&R7&VF&ǒVvgVFRF&VvFW"Fǒ&V7B#rࠥR66VR&RCv'&Fr6Рwwr%D$$TtR6Р