Artborne Magazine August 2016 | Page 35

Inheritance, oil on panel real sense of his degree and its application to real life, he moved to Kentucky. Planting himself within a very conservative, suburban area, he began to paint portraits of children and families to make a living. However after five years of doing so he “didn’t want to be limited to just painting five year olds”. So he became involved in outdoor art festivals. Cornell later admits that these events forced him to become a better painter. Teaching him to work with deadlines and pushing him Middle America, oil on panel to find clarity in his works, he found his focus. He soon found an interest in large landscape paintings. Living in Kentucky and Kansas, he became fascinated by the tornados that ravaged the midwest. Originally, working with large-scale storm paintings he enjoyed the “quite reaction” to these big pieces. However, if you have taken a look at his more recent pieces, these oversized canvases would surprise you. In his Pilgrimage show, most of his works average around less Orlando’s Art Scene, v. 1.2 than 1 foot by 1 foot. He found that by painting small, detailed pieces, it forced the observer to look closer to the smaller picture. “I wanted to do something that was small and intimate” says Cornell, “I wanted others to see something huge in a smaller piece”. He has noticed that this latest trend tends to gain more reaction, then when he did the larger scaled pieces. However Cornell likes the idea of exploring different ways of working and different approaches. As he is predominately a studio painter, Cornell is more inclined to photograph his journey and take these special moments with him. However he enjoys sketching on site, as it allows him to capture the color just right. For his finished products, he mainly works with oil paints, as he believes that these give him flexibility and create a “kind of depth in the paint that you don’t get with acrylic”. At first glance, most of his paintings look like photographs but as you gaze closer you see the layers of paint used to create the texture of shingles on the house. You can clearly see that each 34