Artborne Magazine August 2016 | Page 17

Boy Kong by Rob Goldman Boy Kong is a local artist from Apopka known for his festive murals, his bold use of line, and his whimsical, dynamic compositions. His style can be marked by striking color palettes and distorted, sometimes mangled, figures. Often the subject is a fantastic rendering of some imaginary animal in a writhing and flowing motion. More than just 2D Painting and murals, Boy Kong creates woodcut assemblies of his works, with shifting planes arranged in an aesthetic that suits his work very appropriately. I arrived at Boy Kong’s house/studio in a quiet, green, wooded neighborhood. The first thing I noticed was the many cars, none more noticeable than the large black Hummer parked across the middle of the lawn. I had a feeling it was the right place. Equipped with my notebook of questions, my voice recorder, and my six-pack of beer, I stepped out and met Boy Kong, who had just nonchalantly strolled out of his studio. I had seen pictures from a recent article in The Bungalower, where they visited his studio and took pictures, and I gotta say, there’s nothing like the real thing. There was his unfinished work, his workstations, his interesting knick knacks, and his patterned cozy chair where I sat. It felt like a very productive place, but it didn’t feel too busy. We took our seats, we cracked open two cold ones, I pressed record, and we got to it. So the recent show at Redefined, it’s called No Talent Losers. Can you explain why? Tatiana Sorres, one of the artists from the original group, [...] they were painting somewhere, and [...] somebody spray-painted “losers” on their wall. Somebody drove by [...] and said, “No talent losers!” Like a driveby call out. They were like, “I guess we’re the no talent losers.” I didn’t know I was a part of it, I just kind of hung around them. How was Australia? Australia was cool. I didn’t expect it, [but] there were a lot of Vietnamese people there! I’m not used to seeing all that. I grew up in Apopka here. It was really a culture shock. Is Apopka your hometown? Yeah. What would you say is the best thing about Apopka? No traffic, and it’s quiet. I think the peace and quiet is rare. The mosquitos? Not something. Everything else is nice, though. Say there’s a WWIII, would you do propaganda for the government? Depends if they’re paying well. With all that, I think I’d just move at that point, you above: The Destroyer From Above, acrylic and spray paint on wood know? left: The Dancer, acrylic, spray paint, & ink on wood Can you describe your ideal working conditions? I kind of like, work with anything. A lot of people would say music, but I don’t listen to music when I work. [...] I think a pencil or marker or something, that’s like, fine. Rob Goldman: What’s your favorite type of tree? Boy Kong: Pine trees smell really nice, specifically. [...] On the top of my Can you think of any big eureka moment you’ve had when you discovered something new about your work? head, the pine tree, because of the smell. Technique wise, [...] I was on a cruise, I went on this little pirate ship for a second, and I saw it was made of wood and fiberglass. I was like What’s your cultural background? man, I should come home and use [that]. Visually, or ideal-wise the My mother is Chinese and my dad is Vietnamese. awe moment for making work was to make what you would hang in your house. I feel like it’s a good standard to set. It’s a hard time for What would you say is your spirit animal? I thought about this the other day, [...] not sure, could it be like a plant? everybody to stare at their own work. I’ll have to pass on that. If you never decided to pursue art, what would you do? I think I would do skateboarding, if I was professional. Or something So your name is Boy Kong, are you related to King Kong? with nature. I think I would be building something. I wish. I think we all are. What is your mantra? A quote that you live by, or something? What’s your opinion on the Mona Lisa? I think it’s nice, it looks nice. I don’t have anything bad to say about it, I just think of, like, keep moving. Like, a forward thing, keep moving another step, keep on moving. Basically, that. A lot of forward motion. but it’s not my favorite. Orlando’s Art Scene, v. 1.2 16