ART Habens Contemporary Art Review | Page 171

Amanda Graham to create a piece of art, depending on the type of art I am creating. I paint or draw directly on canvas, paper and sometimes, fabric that I have created. The procedure comprises of a series of layering techniques using acrylic paint until the particular piece is finished. ART Habens opposite position of the background artwork. The fluidity to the communication with the piece means that the viewer has access to the multiplicity of meanings of the piece. I wanted different viewers of my work to arrive at different understandings of the artwork. I usually have a rough idea of what I want to create beforehand. When I usually go into a zone and then the painting or design takes me where it wants me to go. Yes defintely the common denominator is balance. I am fascinated with repetitive pattern and geometric shapes, I allow a week prior to beginining the piece to research the presentation and structure of the work. I usually draw influence from architecture – I love details on mosques and churches in particular geometric patterns, I tend to base the textile patterns on previous existing methods. I constantly seek balance in my life and due to the lack of it I tend to gravitate towards creating it within my pieces. Einstein was once quoted saying ‘Life is like riding a bicycle. To keep balance you must keep moving’. I believe I continue to create art work because it is my keeps me balanced. What a person lacks, often is what we obsess about. What a person represses usually shows up in real terms whether it be either positive, negative, creative or destructive either way it will come out. I am very grateful that I have an outlet where I can demonstrate my ideas. Whilst doing so, I am stretching my hands out to others in similar situation. The idea behind ‘In the beginning’ is based upon a previous piece of work that I had created called Adam and Eve, which involved a similar concept. ‘In the beginning’ looks at the possibility of Adam and Eve being of African descents and living in an imaginary post-apocalyptic Garden of Eden surrounded by a mix of old and new features. The whole piece is based on the traditional view of balance (Male/Female). The trainers are also male and female but they are placed in the I categorise people into two sets of personalities. There are people who are afraid and in their fear they comply with most, if not all of social norms as a form of 21 4 06 Special Issue