ART Habens Art Review ART Habens Art Review - Special Issue #97 | Page 92
ART Habens
Diego Bernaschina
the gestural production’s attracted by
aesthetic thinking about the message of
gestural writing. So much the discrimination
of the gestures that were manipulated.
There’s no good culture to recognize the
practice so habitual. That's why I chose some
scenes about the visual analysis of images.
There’s a great similarity of customs between
the story of the time past and present. It
exists when it occurs to the problems of
corporal punishment; of the mockery by the
auditory disease; of the quarrel over the
negative consequences of school learning; of
the abusive business by the cochlear implant;
and of the annoyance by misspelled of that
obsolete term of "deaf-mute". So it shows the
history of past-present- future time. As a
different approach to the story of time to
determine the daily consequences through
social life in situations of hearing impairment.
As much visuality as a visual perception
corresponds a series of images of the people
affected by deafness at that time.
I always get used to seeing the screen, and
almost the whole life of watching news,
movies, videos, photos, Internet, etc. that
appear the subtitled texts and the sign
language interpreters. At the end of the
twentieth century (or during the 1980s and
1990s), there were no standards of
accessibility to public information and digital
communication to focus the needs of support
towards an inclusive culture. It’s too late to
start a new generation of inclusive society in
the current century. As well as a provocation
of the works, since nobody fulfilled to keep a
good social life more accessible. So much the
frustration of distancing information.
However, my work relates a codification of
Special Issue
the hands through the message in silence,
without sound. Nobody understood each other
your strange message. So much the struggle
to improve the subtitled texts, because
there’re different Chilean channels via
television media of audiovisual form as the
rupture and the conflict of the central news
through a small picture of interpretation in
sign language. In that picture’s too small; it’s
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