ART Habens Art Review ART Habens Art Review - Special Issue #93 | Page 73

Peter Eugén Nilsson
ART Habens
And my way of painting is not
always fine brushwork and pure
colors. I focus my biggest part of
getting the image to be trustworthy
and true. Just as my nature pictures.
And when it comes to be inspired by
that particular person so I listen very
much on their songs. I watch many
hours of music videos or movies. For
small details in their mannerisms
can be crucial. Many think that I am
trying to paint photorealism and it is
completely wrong. I paint not. I paint
only strong personal interviews and
emotional expressions. I want to
convey a question in their eyes. For
it is from there I assume in each
painting.
When your eye is clear, I know
exactly how the painting will be and
where it is headed. I'm looking for
inspiration in the person I am
exaggerating small characteristics
and love to them a little extra. Even
if I only paint a face so is the
ambition to try to say something
with it and also provide much over
to fantasies. finished concept but I tend to think
of the title directly when I have
pulled the last brush stroke. I don't
do it, then it's useless. When I name
my wildlife paintings, I would usually
be the observer should first of all
find out where the subject is from.
Eg Northern Sweden or a small byi
forest. then I highlight I focused on
in the painting. TeX a glow, a sunset
or a lonely House on the Lake. It's
pretty straightforward but still an
important part of giving the
audience some space to understand
the feeling and the situation. To feel
that they know what I want to say
with the painting.
Difficult question. I always have
problems with putting a name on
what I do. There is never any
ambition that I have to paint after a It was also a difficult question but at
the same time interesting. I never
really thought of them. The
interaction between the viewer and
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