Art Chowder November | December 2017, Issue 12 | Page 20

F
rom the South to the Middle East and around the world, back to California and then to Spokane, Ritchie’s perception is:
“Most everyone in the world is hospitable.” Opinions of those in other countries are formed based on the images presented via
television and the Internet. The views of Western culture are as inaccurate there, as our view of other cultures is here. This cre-
ates a fear in women today based on their nationality. Ritchie was told not to go outside by herself while she lived in the Middle
East. Attempting a short walk two doors down was met with curiosity from strangers on the street. “I’ve come to find we are all
of the same heart with the same goals to love and take care of families and each other.”
A rich history of cultural observances powers the work created in her private studio. “I’ve been blessed with a library of inspira-
tion for my work in figurative sculpture and a creative outlet where I can celebrate the beautiful dichotomies of women. I have
realized that whether from the Carolinas or Kuwait, women share a common story.”
Sheri found in her travels, that just like the women on the Southern back porch of her youth, there is a desire for women ev-
erywhere to connect with each other in community. Monthly gatherings of females from diverse backgrounds and occupations,
bonded only by gender, are becoming commonplace. Women together share secrets, laughter, and tears in a space where they
feel comfortable. These opportunities always existed, however nameless; yet, since the 1997 release of Anita Diamant’s The Red
Tent, these groups have gained traction and tapped into the yearning for supportive female community and solace.
“I’ve come to find we are all of the same
heart with the same goals to love and take
care of families and each other.”
-Sheri Ritchie
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ART CHOWDER MAGAZINE