Art Chowder March | April, Issue 20 | Page 10

H er work caught my eye for the first time two years ago when a friend and I were shopping along the Perry District on South Hill. One painting, Moon Over Majesty, pulled at me and my affinity for all things moose. Haunting and dreamlike, it not only stopped me in my tracks, it made me curious about the artist. When I finally pulled my eyes off it long enough to look at the other paintings, I found them to be just as intriguing and all by the same person, Katrina Brennan. Since that day I’ve followed her career on Facebook, and am now pleased to share her story with you. Katrina, where are you from? Katrina: I was born and raised in Spokane. I moved to Coeur d’ Alene for about a year when I was 19 but ended up moving back to Spokane to focus on and finish college at EWU, where I got my B.A. in teaching and elementary education. What first drew you into creating art? Katrina: I’ve loved art since I was a kid, but I really became focused on it in my early 20s, when I was getting my Elementary Education degree at EWU. That’s where I excelled at ceramics and imaginative paintings in acrylic. I later switched to oils, and back to acrylics again. I’m always changing. The style I have now is the most consistent that I’ve been. I’m like a leaf on a river. I just kind of go wherever. No paddle, just whatever. 10 ART CHOWDER MAGAZINE When did you decide to join the Spokane art scene?  Katrina: About eleven years ago I began slowly and steadily showing my work in the community. Now I do around four to five First Fridays a year. If someone needs an artist last minute for their business I’ll gladly step up if I have the time. Did (or do) you have a mentor or someone you look up to as an artist? Katrina: I suppose as far as a mentor, I did make friends with a professor at EWU, Mr. Hawkins. (I hope I’m remembering his name correctly. It’s been 18 years.) He taught Art for Teachers and exhibited a passion for art in the schools that I’d never seen before. He got choked up a few times while teaching and sharing his stories. I think he was correct as well — that art isn’t as important as it should be in schools. That’s one of the reasons so many elementary schools in the Mead District have docent programs, where volunteers (mostly parents) teach art as little as once a month.