Art Chowder January | February 2017, Issue 7 | Page 18

lished world professionals in a mentoring environment to lift them up and encourage them to elevate their crafts to the highest standard. I worked with ‘Talent Campus” for two more years, and at each of the festivals the directors from their Berlin headquarters visited Guadalajara to observe the proceedings, and one of them approached me and told me that they liked my work far better than their own photographers, and that if I was ever in Europe to give them a call! My tour of duty had come to a close in Mexico, and so after ten wonderfully absorbing and rewarding years I returned home to Spokane. After only a few months I discovered that the Berlin International Film Festival was soon to take place, so I called them and reminded them ‘”remember when you said whenever I’m in Europe? and they immediately replied ‘you’re hired!’” Marshall’s return to Germany as a hired photographic professional had also elevated his status by working not only for the Berlin International Film Festival, but also closely with the nation’s dignitaries. Because this festival holds such a high level of status and importance Marshall was photographing and becoming very recognized and respected by notables like the Mayor, the Governor of the State and Senate members. Being a significant part of the festival he was granted a much higher budget to achieve his and their goals, so alongside his main role Marshall also set about trying to establish an additional project, which, by his own admission, 18 ART CHOWDER MAGAZINE “almost got there but never quite made it!” “It was coincidentally around this time that I received a call from my mother who realized that I had a pause in my schedule and asked me if I might consider returning to Spokane, and since I felt I hadn’t spent much time with her as an adult I knew the time was right. Being back home I began closely looking around the city from a new perspective and realized that culturally it offered many opportunities for me to creative a localized community based project, and the seed for ‘Spokane Fifty - Faces Shaping Our City’ began to be germinated. As I looked around I saw Spokane people contributing and being active in many different fields, and this activity became the genesis for my proposed publication.” Marshall began by inviting local people to contact him and nominate residents they recognized as having an impact in and around Spokane for the betterment of our community. He then set about meeting with them, photographing their faces and gathering quotes from them to include with their images. Marshall then collected all the material he needed to create and publish his first edition, which was presented in a large format, 320-page, hard-back, full color volume.