ARMY Magazine - Special Issues ARMY Magazine Namjoon Special Edition | Page 41

The next day the bus hit hard on the brakes and I rashly clutched a flailing passenger’s wrist to help them up. I puzzled then, what is it about wrists, also, am I something to be taken away or protected?” She blinked all of a sudden and her narration perished into powdered blanket flowers. I tried nodding and smiling along but my eyes widened in panic and my jaws began to hurt. I had to get off the bus. I decided to walk the rest of the way home. It began to drizzle (of course) and I covered my face in anguish; I had unwittingly glimpsed into her View and seen her wrists were broken. But she seemed all the more beautiful to me with those wispy, vermillion tendrils on her wrists in an immaculate disarray. I looked behind as the bus’s aged hum resounded away reassuringly; it was a departure from a spot in time — I kept on wanting to search for a forgotten ticket in my pocket but I had no pockets to begin with — did the blue Giovanni feel this distraught when he had to leave? I looked above at the clustering clouds covering the primrose way. What immortal hand or eye could paint thy fearful symmetry O Light, hiding behind these flamingo clouds? Author’s note: To my fellow ARMYs, I hope you found reading this poem meaningful. For my very first draft, that I wrote on a bus on my phone, the poem was called ‘Spring Day’. But over time it evolved into something else. Now the title comes from a phrase in a poem ‘Ode to a Nightingale’ by John Keats. My main intention with this poem was to capture the lightness of spring, so if you as a reader were able to feel that, then I think this poem was a success. For the new ARMYs who might not be aware, the base of this poem carries the same core message as BTS’s song ‘Spring Day’. I have also alluded to a few things that RM said in this year’s Festa in the poem, as well as added snippets of writings by a few of my favorite writers: E. M. Forster, Miyazawa Kenji and William Blake. I hope you have fun identifying these allusions! - aye 41