Archetech Issue 36 2018 | Page 25

UAP, who orchestrated Tapscott’s ‘Diaphanous Bloom’ in Shenzhen, are originally from Brisbane, but recently expanded to China, New York and the Middle East, as facilitators for large-scale public art projects. http://studiojt.com.au COMPLETED EARLY IN 2018, TAPSCOTT USES THE MIST AS A MEDIUM TO DELINEATE BETWEEN MAN-MADE AND NATURAL ELEMENTS. Blending with the forest surroundings during the day, the mist works with the ambient conditions to produce crepuscular rays and rainbows around the viewer, while in darker hours the ghostly structure glows with something like a spiritual energy. A discrete hut nearby houses the many pumps and filters required to get the river water clean and pressurized into mist.