Archetech Issue 32 2017 | Page 30

WORDS: Studio Libeskind PHOTOS: Hufton+Crow Ogden Centre Studio Libeskind A spiral in plan, the Centre is designed as continuous, stacked and interlocking forms. Clad in a ventilated timber rain screen built from responsibly sourced Scottish larch, the dynamic façade is punctuated with linear bands of operable strip windows and a series of outdoor terraces. In addition, canted curtain walls on the north and south faces bookend the form of the spiral and provide spectacular views of picturesque Durham City and Durham Cathedral. The active form of the building unifies a rigorous, repetitive programme of private work spaces along its perimeter with a communal multi-story interior space activated by gathering spaces and a massive central skylight. A new identity has been created for the Centre resulting in unique individualized workspace that engenders a sense of connection and community. Daniel Libeskind said: “This project is an example of how to design a highly-sustainable, dynamic building within tight programme requirements. Light and openness is at the core of the design; at every move in the design process we incorporated simple, yet robust materials and considered the users’ experience to create this important building for Durham University.” Visitors to the Centre enter through a glazed lobby infused with light. The interiors employ a natural palette of soft grey concrete columns and ceilings, paired with warm wood finishes and frosted glass. Pushing the offices to the perimeter of the Centre allows each space to benefit from natural light and ventilation. In addition, glazed doors and screens further transmit light from the exterior to the central atrium. Generous roof terraces create spaces for impromptu meetings or places to simply relax and enjoy fresh air.