Archetech Issue 20 2015 | Page 27

Peter Hayes Sculpture www.peterhayes-ceramicss.uk.com “My main aim in my work is not to compete with nature; but for the work to evolve within the environment”. One of the major introductions into ceramics was digging Neolithic iron age and Roman samien shards on archaeological digs somewhere in Wales while trying to survive as an art student in Birmingham. I have always been interested in the history of ceramics – why and how ‘things’ are made of clay. This interest was extended after I spent several years travelling through Africa working with various tribes and village potters and being intrigued how, with limited technology and basic tools, they were able to get such exquisite, beautiful surfaces. I found the same inherent skills in India, Nepal, Japan and New Mexico. I tried to adopt the ideas picked up from my travels in my own work. By building up layers of textured clay combined with burnishing and polishing of surfaces, I try to achieve opposites of rough and smooth. I have been working on large scale ceramic forms which I have placed in the landscape. My main aim is that the work should not compete with the landscape, but evolve within the environment. With this in mind I have introduced other minerals into the Raku ceramic surface such as iron and copper. With the elements of time and erosion, the individual piece ta