Anderson Ranch Arts Center Workshop Catalogs 2010-2014

woodturning painting Pages 19 - 23 photography Pages 24 - 33 Pages 34 - 42 June 7 - 11 The Fundamentals of Open Bowl Turning Alan Stirt - p.19 Painting on the Edge Elizabeth Ferrill - p.24 Color & Form in Oil Paul Collins - p.24 Scorched Earth: contemporary practice and the environmental debate David Maisel - p.34 June 14 - 18 Texture, Color & Carving: adding depth to turned bowls Alan Stirt - p.19 The Luminous Landscape Katherine Alexander - p.25 Alchemy of an Image: transforming studies into paintings Emily Cheng - p.25 From RAW to Lightroom to Print Andrew Rodney - p.34 June 21 - 25 Form Building On the Lathe Merryll Saylan - p.20 Encaustic with a Textile Sensibility Daniella Woolf - p.25 Text & Image Dahlia Elsayed - p.26 Getting Started with the Digital SLR Angie Buckley - p.35 June 28 - july 2 Connections: design and detail Michael Mocho - p.20 Into Nature: large watercolors Nancy Friese - p.26 Critical Painting Studio Enrique Martínez Celaya - p.26 Painting & Photography: an Photographic archeological approach Encaustic Collage to text and image Miranda Lake - p.36 Kate Leonard - p.35 July 5 - 9 Basket Illusion David Nittmann - p.20 Studio Critique Tom Burckhardt & Fred Tomaselli - p.27 July 12 - 16 Woodturning for the Absolute Beginner Jason Schneider - p.21 From 2D to 3D & Back Again Diana Cooper - p.27 Faux-llage: painting from the collage mindset Alvin P. Gregorio - p.27 Print Fusion: traditional printmaking Alternative Processes and digital printing Jill Enfield - p.37 Jennifer Ghormley - p.37 July 19 - 23 Turning Out Furniture Brad Reed Nelson - p.21 Alchemy: research, source material and the studio practice Adam Helms - p.28 The Indifferent Landscape Brad Kahlhamer - p.28 Defining Your Vision: pictures and meaning Mastering Lighting Alessandra Sanguinetti Allen Birnbach - p.38 - p.38 July 26 - 30 Finding Your Voice: technique, material and imagination Christian Burchard - p.21 Experimental Narrative Painting Jackie Gendel - p.28 Material Drawing: adjusting tension Jane Lackey - p.29 Learning to See: The Photo Book as Art compositions in the Mia Semingson - p.39 landscape Bill Ellzey - p.39 august 2 - 6 Working On & Off the Lathe: an unconventional approach Jack Slentz - p.22 From How to Why: content and confidence development Kathleen Loe - p.29 Advanced Painting Studio Jane Hammond - p.29 Simple Light, Beautiful Light Patrick Harbron - p.39 August 9 - 13 Woodturning Master Class David Ellsworth - p.22 Watercolor: an experimental process Hiroki Morinoue - p.30 August 16 - 20 Woodturning: open bowls and hollow forms David Ellsworth - p.22 Investigating Portraiture Jenny Dubnau - p.30 All Color, No Theory Roger White - p.30 August 23 - 27 Beginning Bowl Turning Dan Bailey - p.23 Intuitive & Rigorous Allison Miller - p.31 Sumi-e: black ink painting Shozo Sato - p.31 Woodturning Open Studio Jason Schneider - p.23 August 30 sept. 3 September 13 - 24 Field Expeditions Getting Started with the Digital SLR Angela Faris Belt - p.36 Conf ɽ

Anderson Ranch Arts Center Workshop Catalogs 2010-2014 | Page 5