Anderson Ranch Arts Center Workshop Catalogs 2010-2014 | Page 46

Joshua Davis, Honeyhive (brown) (detail) Karen Kocher, Self Portrait (detail) Casey Reas, P14 Image 5  July 12 - 16 July 19 - 23 July 26 - 30 Dynamic Abstraction, Flash & ActionScript Development  Joshua Davis    Concept:  Write your own programs using Adobe Flash and ActionScript Objects/Classes to create interactive and animated compositions. Advance your basic Flash design skills to develop working prototypes with processes to speed production and achieve flexibility. Media & Techniques:  We use Adobe Flash and ActionScript on Macintosh computers. A basic understanding of Flash and ActionScript is essential. Activities:  We hold daily demonstrations of the different features of ActionScript, conduct hands-on exercises, provide one-on-one help and complete a small project. Faculty: Joshua Davis is a New York-based artist, designer and technologist producing both public and private work for companies, collectors and institutions. Since 1995 Joshua Davis has been using technology and computers as a medium to create projects that a recent Apple Pro Profile touted as “infinitely interesting.” www.joshuadavis.com Tuition: $1145 / Studio Support Cost: $1345 Studio Fee: $50  Code: P0611  Enrollment Limit: 10 w w w.andersonranch.org Karen Kocher    Drawing with Processing:  an introduction to coding Casey Reas    Skill Level: II - III Skill Level: III 44  Video Poetry  Concept: From the silent era to the MTV age, filmmakers, poets and other artists have harnessed the power of film to express their visions of the world. Explore the genre of the visual poem and then create your own film alchemy blending visual, aural and textual elements in an original work of video art. Students also explore and deconstruct the work of experimental film and video artists to better understand how cinema expresses abstract ideas. Media & Techniques: Students shoot with digital video cameras to capture audio and visual elements then edit their work in Final Cut Pro. Activities:  We have screenings and discussions of experimental video and films, make pitches of student work for group feedback, gather original image and sound elements and edit our work. We provide one-on-one and group feedback and the course culminates with the screening of the final work.