Anderson Ranch Arts Center Workshop Catalogs 2010-2014 | Page 46

Kara Maria, Who Watches the Watchers  Nancy Reyner, Blue Curve & Mountain (detail) Nancy Reyner, Bosque Lake (detail) July 23 - 27 July 23 - 27 July 30 - August 3 e  xpressive works on paper Nancy Reyner Nancy Reyner Skill Level:  II Skill Level:  III Concept: This workshop presents a broad and extensive overview of acrylic painting techniques. Participants create a series of 15 to 20 small paintings, exploring methods and techniques to use acrylic in its most distinctive and expansive ways. The emphasis is on creating multiple experiments rather than producing finished work. Any subject matter and all styles benefit from this in-depth, comprehensive, fast-paced workshop. Concept:  Move beyond the comfort zone in this idea-generating acrylic workshop. Participants gain exposure to a broad spectrum of styles, ranging from classical realism through minimal color field and everything in between. Acrylic’s wide range of possibilities, uses and techniques can easily be adapted for any style. Participants discover the medium’s versatility for particular styles, processes and problem solving. Each student creates at least one finished painting in a new direction by the end of the workshop. Between Thought & Thing: Kara Maria Skill Level:  II - IV Concept:  Create vibrant works on paper that are informed as much by the world around us as by our own intuition. Experimenting with the unique formal and technical possibilities of painting and drawing on paper, students combine appropriated and invented images to create pieces that navigate the relationship between our interior and exterior realities. Participants bring reference materials from which they borrow details for use in their artwork. These found images are integrated with improvisatory gestures, colors, forms and other elements. Media & Techniques:  Paper, water-based paints, drawing materials, wet-on-wet and wet-on-dry painting, layering, tracing, transfer, collage and decollage, and masking. Activities:  Our days are organized to allow ample studio time for working, with technical demonstrations, supportive group critiques and individual feedback. Faculty: Kara Maria received her BA and MFA from the University of California-Berkeley. Her work can be found in public collections including the Cantor Arts Center, Stanford University, the di Rosa Preserve in Napa, the de Saisset Museum and Santa Clara University. Her prints have been published by: Gallery 16, San Francisco; Shark’s Ink, Lyons, Colorado; and Smith Andersen Editions, Palo Alto, California, among others. Maria is represented by the Catharine Clark Gallery in San Francisco.   www.karamaria.com Tuition: $920 OR Tuition + Studio Support Donation: $1120 Studio Fee: $75 Code: D0817 Enrollment Limit 10 44  Mastering Acrylic  Media & Techniques:  Acrylic mediums, gels, pastes and grounds, organic and inorganic pigments, textural layering and glazing, interference and iridescent paints, surface treatments and underpaintings. Acrylic Innovation  Media & Techniques: A wide variety of acrylic paints and products. Activities:  Each day the instructor presents short demonstrations, introduces new concepts, and allows ample hands-on time in between demos to paint and incorporate new techniques. Activities:  The instructor begins each day with a technique demonstration, then rotates to give each participant personal instr X