Anderson Ranch Arts Center Workshop Catalogs 2000-2009 | Page 31

August 11 - 15 David Ellsworth    hollow forms Woodturning Master Class  Tuition: $725  Studio Fee: $85 Code: W1023  Enrollment Limit 8 Woodturning: open bowls and David Ellsworth    Tuition: $725  Studio Fee: $85 Code: W1124  Enrollment Limit 8 FACULTY: Betty Scarpino has been working with wood for over 30 years and teaching for 20 years. She has a background in industrial arts, sculpture and design, and currently writes about all aspects of woodturning for Woodworker’s Journal. Her work is represented in many public and private collections. www.bettyscarpino.com 3d woodturning August 4 - 8 August 25 - 29 Sculptural Woodturning  Betty Scarpino    Tuition: $675  Studio Fee: $85 Code: W1329  Enrollment Limit 8 David Ellsworth, White Pot CONCEPT: This advanced workshop presents a special opportunity for students wanting to push the envelope in bowl and vessel making. Guided by an internationally recognized master, students will use advanced tool methods and turning techniques, and experience the uniquely dynamic bodymind process of woodturning. Concentrated studio time will be combined with lively discussions on a variety of craft and design issues to inspire a deeper understanding of this distinctive creative process. MEDIA & TECHNIQUES: Green and dry wood. Lathe turning of open and closed forms using the Ellsworth Signature Gouge and a variety of hollowing tools. ACTIVITIES:  Daily exercises include body movement, flexion and muscle access; guided visualizations; use of the mind’s eye as a resource for design development; concentrated work in the turning studio; slide presentations; discussions of photography, marketing, design influences, aesthetics and philosophy. PREREQUISITES: For students with advanced turning skills. An understanding of the mechanical processes involved in making bowls and/or vessels is required along with proficiency with the Ellsworth Signature Gouge. Participants must have completed a minimum of 25 successful pieces without supervision. When applying, please indicate how many years you have been turning and what classes you have taken, if any. FACULTY: David Ellsworth has been a studio woodturner and vessel maker for 30 years. He is the founder and former president of the American Association of Woodturners and is a Fellow and Trustee of the American Craft Council. His work is in the collections of the Museum of Arts & Design, the Metropolitan Museum of Art in New York, the White House and the Renwick Gallery of the Smithsonian Institution. www.ellsworthstudios.com David Ellsworth, Homage Pot 3 (detail) CONCEPT:  David Ellsworth has described turning wood as a centering process. “It helps us to focus, to gain confidence in our abilities to grow and to reawaken the ‘self’ in selfexpression.” Working on the lathe, students will explore the process of centering, which liberates the process of making. With an emphasis on a “low-tech” approach to turning, participants will explore a wide range of woodturning techniques, and consider concepts of good design in the making of wood bowls and vessels. MEDIA & TECHNIQUES: Green wood. Instruction will include design development; methods for mounting and chucking materials; vacuum systems; sanding and finishing; correct body positions; tool designs and applications. ACTIVITIES: Demonstrations, discussions, concentrated work in the woodturning studio and practice with the Ellsworth Signature Gouge. Daily critiques of ongoing work. PREREQUISITES:  For anyone interested in exploring the process of woodturning or advancing their existing skills. FACULTY: David Ellsworth’s work is included in the permanent collections of 26 museums and numerous private collections. He is a Fellow and Trustee of the American Craft Council, and has received fellowship awards from the NEA, the Pennsylvania Council for the Arts and the PEW Fellowship for the Arts. He is the recipient of Lifetime Achievement Awards from the American Association of Woodturners and the Collectors of Wood Art. www.ellsworthstudios.com August 18 - 22 Fundamentals of Woodturning  Betty Scarpino    Betty Scarpino, Gathering the Wind CONCEPT: Turned wood forms are the raw material for creating sculpture of all kinds. This workshop will offer intermediate and advanced turners the exciting opportunity to consider turned objects in a whole new way—we’ll be thinking outside the circle. Instruction is geared toward uncovering each student’s unique abilities and interests with regard to art and design. Using the lathe, students will turn a variety of forms, then work with those forms to create sculpture. Specific assignments will help spark creativity. MEDIA & TECHNIQUES: We’ll use safe methods for cutting apart turned forms with a variety of hand power tools, such as rotary and reciprocating carvers. Techniques to include wood burning, surface design, dying, painting and finishing. ACTIVITIES: Each day will begin with a demonstration and/or discussion. Students are encouraged to work on their own to discover their own unique designs and creativity. PREREQUISITES:  Intermediate and advanced woodturners. A basic knowledge of turning or woodworking techniques is required. Art students with a knowledge of making objects in other media are also welcome. FACULTY: Betty Scarpino has been working with wo