Anderson Ranch Arts Center Workshop Catalogs 2000-2009 | Page 27

June 22 - 26

imaging on clay

for artists

Mark Burleson   

Mary Barringer   

Photo/Graphic Imaging On: digital


Writing Materials: a writing seminar


and form using paper patterns and templates. They will make
plaster tablets, incise them with designs, and learn to construct forms with these image-laden slabs. There will be demonstrations of sprig molds, scraffito, drawn image transfer
processes, and wheel throwing of slab-constructed forms.

3d ceramics

June 15 - 19

ACTIVITIES:  There will be daily technical demonstrations,
image presentations, discussions, and open work time. In the
second week there will be time for exploration of slips, under
glazes and glazes.
SKILL LEVEL: Levels I - II (Minimum Skill Level I) – See page
28 for skill level descriptions.

Mark Burleson, Me in Honey 

Mary Barringer, Wide Basin (detail)

*See page 11 for a full workshop description

*See page 8 for a full workshop description

June 22 - July 3

CORE
class

June 29 - July 3

The Believable Portrait & Personal
Symbol 

Handbuilding 101: coil pots


Arthur Gonzalez   

Tuition: $645  ARAC Actual Cost: $845  Studio Fee: $95
Code: C0506  Enrollment Limit 12

Tuition: $925  ARAC Actual Cost: $1325  Studio Fee: $145
Code: C0405  Enrollment Limit 12

Sam Harvey   

FACULTY: Kathryn Finnerty is a studio potter living in Pleasant Hill, Oregon, where she and her husband Tom Rohr run
Pleasant Hill Pottery. She received her BFA from Nova Scotia College of Art & Design in Canada and her MFA from
Louisiana State University. Kathryn’s pots reveal her love of
European decorative traditions, particularly those of 19thcentury English ceramics. Her work is shown and collected
in the US, Canada and the UK. www.kathrynfinnerty.com,
www.pleasanthillpottery.com

July 6 - 17

Ceramics as a Metaphoric Cache 
MaPo Kinnord-Payton   
Tuition: $925  ARAC Actual Cost: $1325  Studio Fee: $145
Code: C0608  Enrollment Limit 12

Sam Harvey, Vase 
Arthur Gonzalez, The Good Part (detail)

CONCEPT:  By using the “Inside-Out” method, students will
learn to make believable heads and hands. Concentrating on
the portrait bust as a format, students will learn how to depict
advanced facial emotions through understanding the asymmetrical face and upper body. This workshop will cover the
foundations of the portrait, from concepts during the Renaissance to color theory through the inventions of the Impressionists. Students will also discover the advantages to oncefired gas reduction and the proper techniques of displayi