African Design Magazine October 2015 | Page 38

The Hyundai Card Music Library and Understage are located on the main street of Itaewon, the thriving and most international neighborhood in burgeoning Seoul. T he building was designed by Choi Moon-kyu, an architecture professor. Choi mapped out the open and empty exterior design which has been realized as a hollow frame structure. The slope of the land, which resembles a small hill, encompasses the entire building as a continued space. Choi maintained the slope for co-existence of topography and building. Utilizing the slope, he designed the open structure to maximize communication. In Seoul with skyline of high rise buildings, Hyundai Card Music Library and Understage make a precious little space for visitors to take time for relax. Global architecture company Gensler took over the final interior design and finishing. The space aims to expand the realm of music and culture in the region. The library is where visitors can enjoy an analogue music culture while the “understage” is a hip cultural space for musicians of all genres. The outside wall of the building is a work of French street artist JR while the wall of the indoor stage is a creation of Portuguese graffiti artist Vhils. Such works reflect free spirit, passion and liveliness of Hyundai Card Music Library and Understage. Through such artwork, the walls of Understage become a unique space to offer inspiration to musicians who practice and perform there. The library on the second floor features valuable collections of 10 000 vinyl albums since the 1950s and onward. Visitors can select vinyl records from the shelves and request an individual listening experience. There are 3 000 music related publications that are difficult to find elsewhere. Global curators, including DJ Scott Mou from New York and music journalist Hajime Oishi from Japan participated in the music selection along with Korean DJ Soulscape. The curators and Hyundai Card staff traveled to 11 countries over two years to collect rare albums. There were four principles for curation—inspiring, vitalizing, pivotal and timeless music and music books. Read more here