African Design Magazine December 2016 | Page 68

Profile T he local architect behind the renovation of the world’s oldest library has revealed that her biggest battle was not in saving the crumbling 1 200 year-old structure – but in opening its doors to the public. Aziza Chaouni fought tirelessly to allow the ancient al-Qarawiyyin Library in Fez, Morocco – first built in 859AD – to welcome all when it re-opens next year. Despite being the brains behind the vast site’s massive three-year restoration job - which involved not only rejuvenating the crippled structure but also upgrading its entire drainage system, a requirement only discovered during the overhaul - the Fez-born engineer was met with resistance from those set on maintaining its policy of allowing only students and scholars inside. The library – which is part of a university and mosque buried deep within the packed ancient city – was first born through the generosity of local woman Fatima al-Fihri. Raised in the city the daughter of a wealthy merchant, she invested her entire inheritance into the library, wanting to provide the Moroccan people with a place of knowledge. Well aware of its history, Aziza took on this baton in her quest to make its learning available to all, refusing to accept the responsibility of overseeing the upgrade of the building if the finished product could not be enjoyed by those living in the city, as it had been for the last 600 years. Aziza said: “For the client, my job as an architect was simply to restore the library and leave it as it was found. I disagreed with this approach. I voiced my concerns, stating that restoring the library with the highest level of respect and architectural skill does not help in making the library once again a beacon of knowledge and culture for its foremost users: the inhabitants of Fez and Moroccans overall. I won’t hide from you that being a woman demanded that I doubled my efforts into being heard, but heard I finally was.” Growing up in Fez, Aziza – like all other locals – could walk by the sprawling library building, but the closest she could get to being inside would be the scowl of the guard who sat outside its exterior walls. “What lay behind was a mystery to me,” the Harvard and Columbia university’s alumni recalled. However, after being appointed as the architect charged with restoring the grand building, her first encounter with its interior was far from what she had imagined – its level of disrepair leaving her astounded. Rainwater was pouring in through the ancient roof and ceilings, leaving its deeprooted cracks seeping with moisture. The walls were chipped away and crumbling, while centuries old tile mosaics on the floors of the library’s courtyards were cracked and worn – their intricate patterns almost lost forever. More than 24 000 books, 3 823 manuscripts, a Qa’ran from the ninth century, rare literary collections and calligraphic scripts were all at desperate risk. A huge 300kg chandelier had crashed down from its holding in one of the reading rooms, and even the buildings more modern additions – electrical wiring installed to help secure its most valuable contents, for example – hung exposed from the walls. Speaking exclusively to the INDEX Design Series, who aim to unite designers and Click here to read more