African Design Magazine ADM #34 October 2017 | Page 47

Modernism: The African Perspective In the 1940s and '50s, experiments in architecture and urban planning were carried out across the African continent, mostly by Western modernist architects, who were particularly influential in the creation of mass housing schemes in Morocco and Algeria. When African nations started gaining independence, between the 1950s and '80s, colonisers used “International Style” to show their good intentions of leading colonies toward the future. In May 1981, the new African Union of Architects began uniting architects of all races, religions and nationalities across the continent. Other national architect associations and action networks — such as Adventurers in Diaspora, Casamémoire, Doual'art and ArchiAfrika — were created to stimulate the debate on the quality of the built environment and the value of Africa's artistic and architectural heritage. With the fast pace of economic growth in Africa from 2000 to 2008, these organizations kept a concerned eye on valuable architectural assets in African cities — the historical buildings in the city centre of Dar es Salaam, for example, and the National Museum in Ghana. Architects and academics alike within the continent began paying more a ention to the buildings in their countries. “Up to now, important projects on the continent were designed by foreign architects. When you go to a bookshop, even in Africa...all the books wri en on African architecture are wri en by people from outside of the continent, with an anthropologist perspective or for tourists.” - Jean Charles Tall, architect and founder of the College Universitair d'Architecture de Dakar. Forums of discussion between practicing architects, students and academics, he says, will allow this generation to further voice its own opinion and move African architecture onto the global stage. The former worker's club building is now the National Union of Eritrean Women's ofce africandesignmagazine.com 47