A Field Guide to Tactical Heritage Urbanism Volume 1: October 2016 | Page 60

Recognize that evolving cultural practices are attributes of livable communities In the second stage, we test and express the vision articulated in the first stage by undertaking a Community Build: a small-scale installation or exhibit in a public space that helps communicate and draw attention to the possibilities for growth, revitalization, or development of new economic drivers. The Build essentially tests the theories identified in the first phase in a small-scale, controlled manner. By bringing residents together to create a lasting expression of what is of value in the community, we can galvanise collective energy to press forward with revitalization and renewal activities. In Burlington, Newfoundland, the annual Gathering festival served as inspiration to create a community gathering spot in a vacant waterside location, which now plays an integral part to this festival of regional food and music. In Brigus, Newfoundland, the spectacular landscape was highlighted by creating an installation along an underused footpath which runs along the rugged coast. The Lookout has now attracted thousands of viewers to this unique location. Place-making unites people & practice In the third stage of our Cultural Economic Assessment, we provide planning tools to implement and sustain the opportunities for future growth. Much of this work revolves around Cultural Economic Drivers: identifying possible gaps and needs in the community and encouraging and supporting new businesses, new residents, or new markets. This process aims to protect the cultural foundation of the community, mitigate risk associated with change, and promote a diversified, growing cultural economy. 60