247 Ink Magazine (October/November) 2017 Issue#17 | Page 36

Why do you think script is found more in Latino and black communities and not so much in white communities where they tend to use more tradition- al fonts? I can’t really say that it’s more of a black thing over white or this, that, or the other cause some of the dopest lettering guys out there are white and I person- ally don’t know any black lettering art- ists, but it’s definitely more based from gang writing, hip hop, graffiti, jail, street, shit like that so it’s gonna draw in people from that background. But it’s really universal now. I know some sick dudes from China, Brazil, Italy, all over the world killing letters. There’s some little old white ladies killing calligraphy and you can find inspiration from them (laughs). It’s a worldwide universal phenomenon, I think. Again, probably because I have no idea, I wouldn’t think a guy from Chi- cago doing script could travel to conventions in different countries and do well there. Why do you suppose that is? I think it goes back to the same reason when me and my brother were kids and wanted to learn karate or kung fu or whatever, and it had to be taught from some type of Asian guy or else it just wasn’t legit (laughs). I think when you go to Europe they want lettering from an actual American 34