247 Ink Magazine (August/September) 2017 Issue#16 | Page 167

Well that’s something we can change because some of the people we thought were com- ing back are like “Oh, I’m not coming back this year. I want to go overseas, there’s a con- vention I want to try out.” Now if I held a booth for them I’m empty a booth, so now it’s first come first served. So what would be good is to start at the end of the show and get a monetary deposit. “Hey listen, are you coming back next year? Well give me a deposit and that guarantees your booth.” It’s a whole lot less to come up with; you can pay it off when it gets closer to the show. The we know they’re coming, you can count on them, and they have the spot reserved. A lot of people don’t want to pay for something ahead of time because a lot can happen in a year’s time and they might have to cancel. It’s all an experiment, you know. What works one time may not work another. Let’s get into you as an artist. How long have you been tattooing? I started in May 1983 so I’m in my thirty-fourth year. Any good yet? (Laughs) I’m still learning believe it or not. Honest to God I really am. I always feel like there’s guys who have only been tattooing two or three years and they’re doing stuff I’ve never even thought was possible be- 165