Jake Weigel, Closed Isometric 2
David Kimball Anderson, Willows
July 8 — 19
II
CNC Foundry Mold Making
Jake Weigel & Guest Artist David Kimball Anderson
III
CONCEPT This workshop explores the role of CNC (Computer Numerical Control) technology in
the context of traditional sand-casting in bronze and aluminum. Students discuss how technology
is used by artists to maintain a human element in their final work. This is achieved through the
incorporation of analog and digital methods during the process of making.
MEDIA & TECHNIQUES
This workshop includes an introduction to Fusion 360 for CNC
processes, including three-dimensional printing to create patterns for resin-bonded sand molds.
Students work with the sand-casting process to create molds and objects cast in aluminum and
bronze. An overview of patina is also presented by David Kimball Anderson.
ACTIVITIES
There are technical demonstrations on sand-cast mold-core creation, patina work
and chasing. Students also participate in discussions regarding the applicability and implications of
integrating digital technology into traditional modes of making. Additionally, individual discussions,
meetings and presentations are included in the workshop.
FACULTY
Jake Weigel is Assistant Professor of Sculpture at California State University, Stanislaus. As a
multidisciplinary artist, he focuses on object-making and installation methods. Jake combines
traditional media and processes with new technology. He has received numerous grants to research
technology in the classroom and exhibits throughout the United States.
Duane McDiarmid,
Buoys for my Father’s, Hat, Knife and Presence
July 22 — 26
O
The Fabric of Fabrication
Duane McDiarmid
CONCEPT
Sewn materials are among the
most primary among humans; all manner of
objects have been made from these materials
and methods since the earliest ages of human
making. In this workshop, planier construction
techniques are explored through the use of
fabric as a means to create sculptural form.
Fabric constructions are light, durable and
suited to diverse environments and presentation
sites and methodologies.
MEDIA
& TECHNIQUES Canvas,
paper, leather, rawhide and “finish” fabrics
are introduced. Students work from ideation
through pattern-making and move on to final
fabrication via hand stitching and lacing, sewing
machine operation or knotting. Techniques
used in the workshop are transferable to
metal, wood, plastics, stained glass and
other materials.
ACTIVITIES
David Kimball Anderson is a practicing studio artist based in Santa Cruz, CA. After attending the San
Francisco Art Institute,1966–1971, he attended the Merritt College Vocational Welding program in
Oakland, CA. He exhibits nationally and internationally. David has received three individual National
Endowment for the Arts Fellowships, a Pollack-Krasner Foundation Grant and his work is included in
numerous public collections. An evolution of hands-on
making activities is the primary activity each
day. Each student works through a series of
steps including discussion of goals, visualization
of form, prototype and pattern-making. There
are also technique exercises and creative
production. Instruction will be individualized
within a group skill-sharing community dynamic.
www.davidkimballanderson.com FACULTY Duane McDiarmid chairs Sculpture
www.jakeweigel.net
TUITION $1,175
& Expanded Practice at Ohio University where
he has received numerous teaching awards.
His work has been supported by The National
Endowment for the Arts, Rockefeller Foundation,
Delaware Center Contemporary Art, Santa Fe
Art Institute, Carnegie Mellon Gallery, and the
Bureau of Land Management and the US Forest
Service.
TUITION $1,075
TUITION + STUDIO SUPPORT DONATION $1,575 TUITION + STUDIO SUPPORT DONATION $1,275
REGISTRATION FEE $45 | STUDIO FEE $175 REGISTRATION FEE $45 | STUDIO FEE $150
CODE S0606-19 ENROLLMENT LIMIT 10 CODE S0807-19 ENROLLMENT LIMIT 10
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andersonranch.org
970/923-3181 [email protected]
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